Groundbreaking Cleveland rock music critic Jane Scott made as many fans as she did cover them for the Plain Dealer. Thus, upon learning of her recent passing to that great Green Room in the sky, a national outpouring of affection bubbled up in the national media.

A New York Times obituary wrote, "At a time when newspapers were famously inhospitable to women, Ms. Scott made her career by tackling a beat that few writers of either sex wanted -- a beat that barely existed when she began writing about rock 'n' roll in the mid-1960s."

"In Cleveland, Ms. Scott could scarcely walk down the street without fans stopping to take her picture. But she was known far beyond the city, profiled in print, on radio and on television throughout the country and abroad."

Clearly. Read the whole obit here.

Writing for The L.A. Times music blog Pop & Hiss, Holly Gleason says, "If Jane Scott leaves a legacy, beyond thousands of stories filed, it's the artists who knew they were somebody because she turned her notebook toward them. As Reed enthused for her 80th birthday, "I love Jane Scott. I always have, I always will. When I was in the Velvet Underground, Jane was one of the only people I can remember who was nice to us. Interested in the music, the styles -- a very smart, guileless lady who loved music and musicians and had unbiased attitudes towards the evolving culture."

"Her writing gave music deeper context for generations in the city hailed as the "Rock & Roll Capitol of the World." She captured the essence of rock coming of age, growing into maturity and finding its way into the 21st century. Her mark will be felt for years to come."

Read the rest here.