James R. Oestreich, writing for The New York Times, reviewed the Cleveland Orchestra's recent performances at Carnegie Hall. The two concerts were part of the Cleveland Orchestra's two-week American tour, which also included a three-day residency at Indiana University, a brief stay in Florida, and an impromptu jam session in an Ann Arbor pizza shop.

Oestreich's review is altogether positive, placing particular emphasis on conductor Franz Welser-Möst's restraint, especially in directing Debussy's "Prelude to the Afternoon of a Faun" and Toshio Hosokawa's "Woven Dreams." Oestreich states, "No successful conductor lacks ego, but Mr. Welser-Möst makes remarkably little show of it. The word restraint keeps coming to mind: a restraint that, in manner, can make him seem boyishly appealing if sometimes inscrutable; a restraint that, musically, can serve him so well."

The orchestra's performance of Strauss's "Heldenleben" was another standout. "The orchestra gloried in the work's brilliant and kaleidoscopic sonorities and produced powerful heft, with shining woodwinds and brasses, without letting the sound turn blowsy. William Preucil, the concertmaster, performed the violin solos beautifully as well as playing an obvious role in keeping the whole spectacle together. Not that Mr. Welser-Möst needed much help with a band clearly responsive to his every gesture."

Read the entire score here.