signstage brings hearing and deaf communities together through school-based theatre

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When actor Bill Morgan travels into Cleveland schools to create artistic productions that star both hearing and deaf actors, he continues to be amazed by students' reactions and the type of creativity that is often unleashed through nonverbal communication.

Morgan can hear, yet the productions that he creates through SignStage Theatre help to educate hearing individuals on the issues faced by the deaf community. They also bring hearing and deaf students together through entertainment.

"We ask kids to use their physical actions rather than just their voices, and they really start to use their imaginations more," says Morgan. "We have hearing students interacting more with deaf students, whereas normally they're not. That opens kids up to what deaf kids can do, while also empowering deaf students."

SignStage is a program of the Cleveland Hearing and Speech Center (CHSC), a nonprofit originally founded in 1921 to provide lip reading classes for adults who are deaf and hard of hearing. In the past 91 years, the CHSC has grown to serve nearly 8,000 adults and children each year in 14 counties in Northeast Ohio.

Morgan is particularly excited about an upcoming residency through the Ohio Arts Council at a Cincinnati area school. There he will have a chance to create programs at an innovative school that integrates deaf and hearing children using the arts. "Such programs are becoming more acceptable," he says. "I've also found that there is now a better understanding of the needs of the deaf community."

SignStage helps hearing students to overcome prejudice, says Morgan, and to realize deaf people are not handicapped. Deaf people can be found in professions ranging from medicine (including doctors) to manufacturing (they're sometimes hired to work around noisy machines that hearing people can't tolerate).


Source: Bill Morgan
Writer: Lee Chilcote

Lee Chilcote
Lee Chilcote

About the Author: Lee Chilcote

Lee Chilcote is founder and editor of The Land. He is the author of the poetry chapbooks The Shape of Home and How to Live in Ruins. His writing has been published by Vanity Fair, Next City, Belt and many literary journals as well as in The Cleveland Neighborhood Guidebook, The Cleveland Anthology and A Race Anthology: Dispatches and Artifacts from a Segregated City. He is a founder and former executive director of Literary Cleveland. He lives in the Detroit Shoreway neighborhood of Cleveland with his family.