Peter Debelak was a frustrated lawyer with a passion for woodworking when he stumbled on a soon-to-be-available woodshop space in a former meat processing plant on Cleveland's near west side.

"There was a woodworker who had been in there for 30 years, and his space opened up," says Debelak, who fell in love with the medium of wood 12 years ago and has worked with it ever since. "The opportunity was hard to pass up."

Still, starting the woodshop was a leap of faith. "I realized it was now or never," he adds. "I could get into the inertia of my next job and it would stay an idea, or I could just do it."

This past July, Debelak opened Soulcraft Woodshop, an artistic space for his own furniture making and a hub for woodworking lessons and workshops. He partnered on the project with fellow woodworkers Jim Doyle and Jim McNaughton.

"There's definitely an existing and growing 'maker' movement among people in their 20s and 30s and retirees," says Debelak. "It's about going back and working with your hands, making your own things and having a connection to objects."

Unless you have a woodworking shop in your basement, there is a dearth of spaces to explore this field, he adds. "Shop class has been eliminated in just about every curriculum in public and private schools. There's a hole in terms of market need."

Soulcraft Woodshop currently offers classes on an ad hoc basis based on inquiries. However, the owners will soon roll out regular classes such as "Introduction to Furniture Making" or "How to Build an Adirondack Chair in a Weekend."

Budding woodworkers can also purchase a monthly membership pass for $120 or a pay-as-you-go pass to complete an individual project for as little as $50 to $80.

Soulcraft Woodshop is located in the Hildebrandt Building at 3610 Walton Avenue.


Source: Peter Debelak
Writer: Lee Chilcote

If you don't know the name Scott Kim, then you likely have been missing out on some of the most thrilling food presently served in Cleveland. Kim's Shaker Square restaurant Sasa encourages exploration through a bevy of Japanese small plates. With Accent, slated to open in just weeks, the chef's culinary borders will expand past those of Japan to include influences from Korea, India, China and beyond.

At the corner of E. 83rd and Carnegie Avenue, a dilapidated building has been transformed into a contemporary, glass-walled resource center. Inside these walls, youth will be mentored, adults will receive financial education and job skill assistance, and seniors will record their history within the community.

This is no ordinary redevelopment project. The PNC Fairfax Connection was designed with maximum community input to address the needs and aspirations of the Fairfax neighborhood, which lies just south of the Cleveland Clinic campus.

“We celebrate the opening of the PNC Fairfax Connection as a demonstration of what it truly means to work together to create a new relationship and a new bond between a bank and its community,” said Cleveland native James Rohr, Chairman and CEO of PNC Bank, in a press release. “PNC closely collaborated with the Fairfax community at every step to ensure the center's design and programs meet the interests and needs of this proud and historic community.”

The $5 million center, which was sustainably built and will likely receive LEED certification (Leadership in Energy and Environmental Design), is a 6,400-square-foot space that is flexibly designed to meet the needs of the community. Two full-time coordinators, Susan Blasko and Brandon Lipford, will staff it.

Upcoming programs include SPARK, a web-based literacy initiative provided in cooperation with the Boys and Girls Club of Greater Cleveland; Senior Compass programs that help seniors with help and wellness and technology skills; and Financial Connections, which are weekly financial wellness workshops.

The PNC Fairfax Connection is open daily from Tuesday through Saturday, and programs are offered in the day as well as the evening.


Source: PNC Bank
Writer: Lee Chilcote

TWIST Creative had been adverse the word "agency" for many years, as the term represented something the Cleveland-based branding firm was not. That all changed eight months ago when TWIST shifted its strategy to target bigger clients, spurring a period of growth that has led to a flurry of new hires as well as new customers.

That's four new hires and about 20 new clients to be exact, says Michael Ozan, TWIST's president and chief creative officer, who in 2000 founded the firm with wife Connie. Add promotions and an overall company realignment to that list and TWIST has had a very busy 2012.

"We looked at our market position and decided to turn in the direction of being an agency," says Ozan. "We needed more people [on hand] to make that change."

In September, TWIST hired a new director of media relations, an art director and two designers. The agency also named marketing director Josh Taylor as its new director of strategy and development, while lead senior designer Chris Oldham is now director of design operations.

To its burgeoning client portfolio TWIST added 20 new brands, including big-name consumer product companies Hoover Vacuum and Hinkley Lighting; aerospace industry manufacturer Voss Industries; and multi-market restaurateur Paladar.

This was an exciting year, but one also full of difficult changes, says design director Connie Ozan. Although the former boutique is now a full-service brand agency, the challenge for TWIST looking ahead is to continue to grow its position within the market.

 "There's been lots of energy over the last eight months," she says. "It will take awhile for the new team to gel, but 2013 is going to be a great year."
 

SOURCE:  Michael Ozan, Connie Ozan
WRITER: Douglas J. Guth

The Cleveland Museum of Art recently opened its signature new atrium, a breathtaking public space whose traditional and contemporary elements bridge the museum's past and future. It soon will become one of the city's central gathering places, as well as a spot that brands the city to visitors, akin to Grand Central Station in New York.

The museum will host a community celebration on Sunday, October 28th to celebrate the completion of the atrium and the opening of the beautiful new museum store. Provenance Restaurant and Cafe, which will be managed by Doug Katz, chef-owner of Fire Food and Drink, will provide fresh, local fare. Other highlights of the event include music and dance, free tours and a giant photograph of everyone.

“The Ames Family Atrium will serve as a central hub for the museum, offering visitors a chance to relax and reflect on their experiences in the galleries,” said David Franklin, Director of CMA, in a release. “This dynamic space will offer opportunities for temporary art installations, performances and special events.”

The atrium, designed by New York architect Rafael Vinoly as a centerpiece to the museum's expansion, is nearly as large as a football field and has an elegant, curved glass ceiling that bathes the space in light on even the cloudiest of days. One half of the giant room is contemporary, with wood, glass and steel elements, while the other half reveals the restored 1916 building's classical north facade.

The atrium also has a charcoal-colored stone floor and indoor gardens that introduce color and life. It is not only a centerpiece of the museum's new design, but also the central point to which visitors continually return. A second floor balcony that offers great views of the atrium escorts visitors between the galleries.

The skylighted ceiling, which rises from 55 to 66 feet in height, mirrors the sense that one's consciousness and view of the world expands as one enters the galleries.

The opening of the atrium caps a decade of planning and seven years of construction. The entire project is expected to be completed next year.


Source: Cleveland Museum of Art
Writer: Lee Chilcote

As city dwellers, we tend to focus on buildings. But it's the spaces in between those structures that matter most, say urban planners. Public spaces bring communities together, improve our physical and mental well-being, and drive social and economic change. The presence and quality of our public spaces is a measure of the desirability of a city.

The City of Cleveland has developed a plan to create bike lanes along Detroit Avenue between West 25th and West 75th streets to cater to the growing number of two-wheeled commuters using the thoroughfare.

The idea was developed as a temporary alternative to the stalled West Shoreway project, but has now taken on a life of its own. City officials say that even if more money is found to complete multi-modal paths along the Shoreway, the Detroit bike lanes are here to stay.

"This really is a new day in the City of Cleveland for cycling," Planning Director Bob Brown told the audience at a recent public meeting. "For decades, Cleveland put the priority on cars and cyclists were treated as second class citizens. The big change was the complete and green streets ordinance -- now it's the law of the land that every time we plan a roadway project, bikes have to be a priority."

"If we want to create a mode shift [away from driving and towards cycling], then we need to create the facilities to do it," added Jacob Van Sickle, Executive Director of Bike Cleveland. "Bike Cleveland will continue to push the city."

The complex project, which will span 1.7 miles and cost $76,000, includes a mixture of bike lanes and sharrows (painted arrows in the roadway indicating that cars must share the road with bikes). The five foot lanes allow for on-street parking while providing enough room for cyclists to avoid the "door zone" (the area where they could be hit if the driver of a parked car opens the door).

The long-term goal, Brown said during the meeting, is to create a network of bike lanes on major streets throughout the city. Planners are working on eventually extending the bike lanes along the Detroit-Superior bridge and Superior.


Source: Bob Brown, Jacob Van Sickle
Writer: Lee Chilcote

Ingenuity Fest 2012 will take place this weekend, September 14 to 16 at Cleveland Lakefront Docks 30 and 32, in 120,000 square feet of warehouse space. Aside from music and artistic performances, the festival will showcase the work of local inventors working on some fun and interactive projects.
 
“It ranges from DIY aesthetic things to engineers,” says director of programming James Krouse. “We have inventors or people who are beta testing a product or are in academic engineering programs. This is a place to display these innovations.”
 
The Make Space area of the festival will include the Lorain County Community College Fab Lab and the Cleveland MC2 Stem School Mobile Fab Lab -- a NASCAR trailer equipped with computers, software and lasers for creating 3-D images.

“It’s just a collection of designer software and laser cutters,” says Krouse.
 
A CWRU engineering graduate student will have a display of solar-powered fireflies that mimic the algorithm of fireflies’ communication. A panel of local chefs and sustainability advocates will speak on Friday about local food and sustainability. A series of talks on Saturday will examine the history of flight -- from the Wright brothers all the way through the Mars Curiosity expedition.

 
Source: James Krouse
Writer: Karin Connelly

Thanks to crowdfunding sites like Kickstarter, entrepreneurs often overlooked by traditional investment sources are securing much-needed capital to launch their startups. In addition to raising cash, these sites are proving invaluable for testing new ideas, developing a customer base, gaining exposure, and launching ideas into a larger marketplace.

Experienced Cleveland developer Mike DeCesare recently started construction on the Waverly Station Townhomes in Detroit Shoreway -- a 22-unit project that is the only new, for-sale housing development to break ground in the City of Cleveland this year.

"Getting the project up and running was no small task, as it proved to be impossible to find conventional bank financing for the project," he says. "We ended up doing private financing. We had investors willing to put money into it."

The project is located on a one-block stretch of land along Bridge Avenue between West 57th and 58th streets. DeCesare acquired a parcel of vacant land from Detroit Shoreway Community Development Organization and purchased several distressed multifamily properties that he tore down. These additional parcels expanded the project and will add to the sense of community, he says.

"There's a feeling of safety in numbers," he says of the $4.5 million project. "The scope of something like Waverly instills confidence in prospective buyers."

Waverly Station features high-end finishes and rooftop decks with city views. One- and two-car garage units are available, and all units include two bedrooms and two and a half baths. Energy-efficient features and 15-year, 100-percent tax abatement also are part of the community. Sales prices range from $179,900 to $209,900.

DeCesare already has several units sold and is hoping to break ground on the second building in the project later this year. Buyers have been drawn to the location within walking distance of the Gordon Square Arts District, he says.


Source: Mike DeCesare
Writer: Lee Chilcote

Horseshoe Lake in Shaker Heights is a great place to take a walk and enjoy the bucolic, well-preserved Shaker Lakes. Now this setting has been made even more beautiful by the addition of glowing lanterns that dangle from trees like glimmering fireflies.

As part of the Shaker Heights Centennial celebration, artist Barry Underwood has created a new public art installation in Horseshoe Lake Park. The light display illuminates the wooded path along South Park Drive between Park Drive and Attleboro. It opened Labor Day weekend and continues until September 17th.

"Barry was commissioned to create the projects to call attention to the unique setting and natural beauty of the lakes, but to do it in a more forward looking way," says Megan Jones of LAND Studio, a nonprofit organization that partnered with the City of Shaker Heights on the project.

In a news release, the City of Shaker Heights described the lighting installation, which includes very contemporary, brightly colored elements, as "otherworldly."

The ephemeral display, which is drawing camera-wielding visitors, is best viewed from the South Park trail. Underwood is a local artist and faculty member at the Cleveland Institute of Art (CIA). He is currently working on projects for the Museum of Contemporary Art Cleveland (MOCA) and the Cleveland Clinic.


Source: LAND Studio
Writer: Lee Chilcote

Justin Coulter, a sculptor, bartender and rock band frontman, was elated when Beachland Ballroom owner Cindy Barber suggested that he craft an original piece in tribute to Harvey Pekar.

When the offer was made, he was outside smoking a cigarette during a 2010 memorial for Pekar at the Beachland. Barber, who had only just learned that her employee is a talented sculptor whose work can be found all over Cleveland, was suddenly inspired by the idea of hiring Coulter.

"I said, are you kidding? That's the biggest honor in the world so far," says Coulter. "Let's do it! Two years later, we raised $38,000, and the biggest donation was about $500. It was all from people who just wanted to see this happen."

The bronze sculpture features a rendition of Pekar walking out of one of his own comic books -- from "2D" to "3D," as Coulter describes it. It also includes a desk where participants will be encouraged to pen their own masterpieces. The piece will be installed at the main branch of the Cleveland Heights-University Heights library, and a public unveiling is scheduled for 2 p.m. on Sunday, October 14th.

Coulter is creating the sculpture in his studio on East 36th Street. First, he made a model out of hard clay, incorporating suggestions from Harvey's widow, Joyce Brabner, along the way. Next, he will create a hollow mold, heat the bronze to more than 1000 degrees, pour it into the mold and then pack it in sand to keep the heat in. Finally, he will chip off the mold to reveal the long-awaited sculpture.

"The library is the perfect spot for him," says Coulter of the location. "So much better than being next to a politician like Elliott Ness at Lakeview cemetery."

Coulter, who is also working with other artists to create a website of Cleveland craftspeople that will help to highlight and connect customers to their work, never met Pekar. "I had to create that experience out of my imagination," he says.

With bronze lasting an average of 10,000 years, the sculpture creates near immortality for the famously cantankerous working-class writer, who has become a symbol of Rust Belt authenticity.

"When the library collapses and everything is covered in dirt, there will still be an awesome sculpture of Harvey."


Source: Justin Coulter
Writer: Lee Chilcote