University Circle
shelterforce touts evergreen's green roots
Shelterforce, the nation's oldest continually published housing and community development magazine, recently devoted considerable attention to Cleveland's Evergreen Cooperatives. Written by Miriam Axel-Lute, an associate director at the National Housing Institute, the article tells how cities and governments are taking notice of the paradigm.
Titled "Green Jobs with Roots," the piece begins with powerful lede:
In a couple years, residents of some of the poorest neighborhoods in Cleveland will be the collective owners of the largest collection of solar panels in the state of Ohio. Next door, sixty locations on the Cleveland Clinic's campus will be serving salads made from locally grown lettuce year-round—where local means not "a farm closer than California," but a greenhouse staffed and owned by neighborhood residents on a former brownfield mere miles away.
In this paragraph, Axel-Lute gets to the heart of the Evergreen model of buying local on an institutional level:
The local procurement angle means that the coop's customers are likely to stay put as well. Rather than launching businesses based on workforce skill sets or entrepreneurial ideas, the Evergreen working group started by looking at the $3 billion per year that the 40 some University Circle anchor institutions already spend on goods and services and asking what parts of that spending they could redirect locally.
And finally, Axel-Lute writes that other cities and national officials are taking notice.
Even though it's just getting off the ground, queries about the Evergreen model have been pouring in, with cities from Pittsburgh to Atlanta meeting with Howard or filling up busloads of community leaders to visit Cleveland. Evergreen has been the subject of numerous high-level briefings at the federal level and visits by top HUD officials.
Read the entire analysis here.
Remember when your youthful imagination turned a large cardboard box into a race car or a castle? Mike Welsh does, and now he has started a company that gives kids the stuff they need to create the playhouses of their dreams.
Build a Dream Playhouses is a newly launched producer of corrugated cardboard boxes that can be painted, colored and decorated to make one-of-a-kind playhouses. Welsh, a father and an established entrepreneur, thought of the idea and recruited two recent college grads, Andy Carcioppolo and Sam Cahill, to bring his vision to life. With a degree in business and industrial design, respectively, Carcioppolo and Cahill found they could make use of their talents and stay in Cleveland.
Build a Dream Playhouses was created through a collaboration with Nottingham-Spirk Design Associates, an industrial design firm based in Cleveland, and Smurfit Stone, a paperboard manufacturer in Ravenna.
"We believe that creating jobs in Cleveland, in the State of Ohio and ultimately across the globe is an important part of Build a Dream Playhouses," says Carcioppolo, who serves as COO. "We're thrilled to have an opportunity to do that in our hometown and to be a part of helping our region grow and thrive."
Build a Dream's products, which range from the "Cosmic Cruiser" to the "Pop 'n Play Kitchen," are made from 80 percent recycled materials, and are 100 percent recyclable.
As part of its launch efforts, the Build a Dream Playhouses team will be at the Children's Museum of Cleveland on Saturday, November 20, where kids can color their own cardboard creations.
SOURCE: Cleveland Children's Museum, Build a Dream Playhouse
WRITER: Diane DiPiero
Build a Dream Playhouses is a newly launched producer of corrugated cardboard boxes that can be painted, colored and decorated to make one-of-a-kind playhouses. Welsh, a father and an established entrepreneur, thought of the idea and recruited two recent college grads, Andy Carcioppolo and Sam Cahill, to bring his vision to life. With a degree in business and industrial design, respectively, Carcioppolo and Cahill found they could make use of their talents and stay in Cleveland.
Build a Dream Playhouses was created through a collaboration with Nottingham-Spirk Design Associates, an industrial design firm based in Cleveland, and Smurfit Stone, a paperboard manufacturer in Ravenna.
"We believe that creating jobs in Cleveland, in the State of Ohio and ultimately across the globe is an important part of Build a Dream Playhouses," says Carcioppolo, who serves as COO. "We're thrilled to have an opportunity to do that in our hometown and to be a part of helping our region grow and thrive."
Build a Dream's products, which range from the "Cosmic Cruiser" to the "Pop 'n Play Kitchen," are made from 80 percent recycled materials, and are 100 percent recyclable.
As part of its launch efforts, the Build a Dream Playhouses team will be at the Children's Museum of Cleveland on Saturday, November 20, where kids can color their own cardboard creations.
SOURCE: Cleveland Children's Museum, Build a Dream Playhouse
WRITER: Diane DiPiero
University Circle's Uptown project took a major step forward last week when the Museum of Contemporary Art (MOCA) Cleveland board approved plans
for a new home, a dramatic, six-faceted, $27 million structure of
highly reflective stainless steel and glass to be built at Euclid
Avenue and Mayfield Road.
The new building should make quite an impact on visitors to the busy intersection: "Viewed from the exterior, the building will appear as an inventive massing of six geometric facets, some flat, others sloping at various angles, all coming together to create a powerful abstract form," MOCA promises on its web site. "Clad primarily in mirror-finish black Rimex stainless steel, the façade of the new MOCA will reflect its urban surroundings, changing in appearance with differences in light and weather."
The four-story, 34,000-square-foot building will provide MOCA about 40 percent more space than its current home, in the Cleveland Playhouse complex at 8501 Carnegie. The main gallery will be on the 6,000-square-foot top floor, which will be equipped with movable interior walls.
"Flexibility is key to a program that, like ours, embraces aesthetic, conceptual, and cultural diversity, and displays works in a great variety of mediums and genres," says MOCA Director Jill Snyder.
The building was designed by Foreign Office Architects of London, whose team includes Cleveland-based Westlake Reed Leskosky. The MOCA building is FOA's first museum and first American commission. Groundbreaking will occur in December.
Uptown, a $150 million residential and retail development, is a collaboration between private developer MRN Ltd., and University Circle Inc. and area institutions. MRN is the company behind the East Fourth Street restaurant and entertainment district in downtown Cleveland.
Source: MOCA Cleveland
Writer: Frank W. Lewis
The new building should make quite an impact on visitors to the busy intersection: "Viewed from the exterior, the building will appear as an inventive massing of six geometric facets, some flat, others sloping at various angles, all coming together to create a powerful abstract form," MOCA promises on its web site. "Clad primarily in mirror-finish black Rimex stainless steel, the façade of the new MOCA will reflect its urban surroundings, changing in appearance with differences in light and weather."
The four-story, 34,000-square-foot building will provide MOCA about 40 percent more space than its current home, in the Cleveland Playhouse complex at 8501 Carnegie. The main gallery will be on the 6,000-square-foot top floor, which will be equipped with movable interior walls.
"Flexibility is key to a program that, like ours, embraces aesthetic, conceptual, and cultural diversity, and displays works in a great variety of mediums and genres," says MOCA Director Jill Snyder.
The building was designed by Foreign Office Architects of London, whose team includes Cleveland-based Westlake Reed Leskosky. The MOCA building is FOA's first museum and first American commission. Groundbreaking will occur in December.
Uptown, a $150 million residential and retail development, is a collaboration between private developer MRN Ltd., and University Circle Inc. and area institutions. MRN is the company behind the East Fourth Street restaurant and entertainment district in downtown Cleveland.
Source: MOCA Cleveland
Writer: Frank W. Lewis
Essentially a buy-local campaign on steroids, Evergreen Cooperatives is launching multiple for-profit businesses that leverage the enormous procurement power of Cleveland's largest medical, educational and cultural institutions. And what's now being called "the Cleveland Model" is attracting attention nationwide.
cle orchestra invades south korea
In anticipation of the Cleveland Orchestra's long-awaited return to Korea, the Korea Times published a gleeful article by Lee Hyo-won.
"It would be an understatement to say that much has changed since the last time the Cleveland Orchestra played in Korea, 32 years ago under the baton of Lorin Maazel," writes Hyo-won. "Back in 1978, it was a rare occasion for local classical music aficionados to hear a world-class foreign orchestra live."
Of the performance and performers, the article states:
The top American ensemble, known for its distinct European sound, will present fans a full orchestral program of works by the European masters. It is expected to deliver a powerful, roof-raising experience with Debussy's Prelude "A l'apres d'un faune," Mozart's Divertimento in D major, K. 136 and Beethoven's Symphony No. 3 "Eroica."
Interesting note gleaned from piece: The Severance Hospital in downtown Seoul was established in 1900 by Louis Severance, father of John Long Severance, the namesake of Cleveland Orchestra's residential Severance Hall.
Interested parties can purchase tickets from 60,000 to 150,000 won, the equivalent of $53 to $132 in US dollars.
Read the entire article (in English) here.
"It would be an understatement to say that much has changed since the last time the Cleveland Orchestra played in Korea, 32 years ago under the baton of Lorin Maazel," writes Hyo-won. "Back in 1978, it was a rare occasion for local classical music aficionados to hear a world-class foreign orchestra live."
Of the performance and performers, the article states:
The top American ensemble, known for its distinct European sound, will present fans a full orchestral program of works by the European masters. It is expected to deliver a powerful, roof-raising experience with Debussy's Prelude "A l'apres d'un faune," Mozart's Divertimento in D major, K. 136 and Beethoven's Symphony No. 3 "Eroica."
Interesting note gleaned from piece: The Severance Hospital in downtown Seoul was established in 1900 by Louis Severance, father of John Long Severance, the namesake of Cleveland Orchestra's residential Severance Hall.
Interested parties can purchase tickets from 60,000 to 150,000 won, the equivalent of $53 to $132 in US dollars.
Read the entire article (in English) here.
PBS special makes a stop in cleveland
In a one-hour PBS special that airs tonight (November 18th), NOW host David Brancaccio visits communities across America that are using innovative approaches to create jobs and build prosperity in our new economy.
The special, which is called "Fixing the Future," includes a visit to Cleveland, where Brancaccio highlights the successes of Evergreen Cooperatives. During the segment, he speaks to Mendrick Addison, a worker-owner of Evergreen Cooperative Laundry, and Ted Howard, one of the model's architects.
For more information click here.
Check local listings for time and channel.
The special, which is called "Fixing the Future," includes a visit to Cleveland, where Brancaccio highlights the successes of Evergreen Cooperatives. During the segment, he speaks to Mendrick Addison, a worker-owner of Evergreen Cooperative Laundry, and Ted Howard, one of the model's architects.
For more information click here.
Check local listings for time and channel.
Brandon Chrostowski, GM at L'Albatros restaurant in University Circle, made his way from Detroit to Cleveland -- via Chicago, Paris and New York. Now, you couldn't pry the guy out of here with a crowbar. As usual, you can blame -- or credit -- the move on a girl.
In a spirit reminiscent of progressive outposts like Seattle, Cleveland is becoming a national leader in deconstruction, a movement that treats vacant homes across the region not as an eyesore but a post-natural resource.
baltimore sun salutes symphony's new initiative
Last week we helped spread the word about the Cleveland Orchestra's new Center for Future Audiences, launched with a gift of $20 million from the Maltz Family Foundation. This week, it seems, word is spreading across the national classical music landscape.
Writing in the Baltimore Sun, classical music critic Tim Smith reports, "There's enough bad news in the classical music business that any good news seems extra good. So it is with word from the Cleveland Orchestra, which has launched something called the Center for Future Audiences, an initiative that aims to put into real action what so many people just talk about -- getting new and younger audiences into the concert hall."
The Center for Future Audiences, he explains to his readers, will attack the problem of skyrocketing admission prices with heavily subsidized tickets: deep discounts for the 18-34 set, free tickets to lots of events for children under 18. The orchestra will also arrange for free bus service from some suburbs to the concert hall, a terrific gesture, Smith adds.
"Every step that any orchestra makes to connect to the disconnected is obviously valuable, potentially invaluable," Smith explains. "Orchestras that don't try new things, bold new things, are likely to find themselves not just out of touch, but out of business, in the years ahead."
Read the rest of the sheet music here.
Writing in the Baltimore Sun, classical music critic Tim Smith reports, "There's enough bad news in the classical music business that any good news seems extra good. So it is with word from the Cleveland Orchestra, which has launched something called the Center for Future Audiences, an initiative that aims to put into real action what so many people just talk about -- getting new and younger audiences into the concert hall."
The Center for Future Audiences, he explains to his readers, will attack the problem of skyrocketing admission prices with heavily subsidized tickets: deep discounts for the 18-34 set, free tickets to lots of events for children under 18. The orchestra will also arrange for free bus service from some suburbs to the concert hall, a terrific gesture, Smith adds.
"Every step that any orchestra makes to connect to the disconnected is obviously valuable, potentially invaluable," Smith explains. "Orchestras that don't try new things, bold new things, are likely to find themselves not just out of touch, but out of business, in the years ahead."
Read the rest of the sheet music here.
It's not a sports championship, but in some ways it's just as big. Last
week a consortium of some of the wealthiest banks and foundations in
the world announced that Cleveland would receive major support for
innovative developments that will create hundreds of new jobs where
they're needed most.
The Integration Initiative, by the New York-based Living Cities philanthropic collaborative, will pump almost $15 million in grants, loans and targeted investments into Cleveland. One of five cities chosen, Cleveland impressed the evaluators with plans to leverage the buying power of institutions in and around University Circle -- which spend some $3 billion annually on goods and services -- into new businesses and jobs. And not just any businesses, but innovative, green operations that provide their workers with more than just paychecks.
Some of the funding will be used to start or relocate businesses in the growing Heath-Tech Corridor between University Circle and Cleveland State. Other funds will expand the Evergreen Cooperatives network of employee-owned businesses, all of which meet the institutions' procurement needs in new ways, and satisfy Living Cities' demand for "game-changing" new strategies.
Evergreen Cooperative Laundry, for example, uses far less water than competitors, allowing the institutions to reduce their carbon footprints. The laundry currently employs 28, and will expand to 50. Ohio Solar Cooperative employs 25 -- already exceeding expectations -- and will hire another 50 over the next three years. The Green City Growers hydroponic greenhouse will employ 45 when it opens on East 55th Street later this year.
All Evergreen businesses allow workers to build equity in the company and share in profits. "An 8-, 9- 10-dollar-an-hour job is not really enough to change someone's life," says Lillian Kuri of the Cleveland Foundation, which coordinated the applications to Living Cities. "The ability for wealth creation is absolutely essential to changing neighborhoods."
Five more co-ops are in the pipeline, Kuri says. Two will launch "soon," the other three over the next one to two years.
Many of the foundations that make up Living Cities will be familiar to NPR listeners: the Bill & Melinda Gates Foundation, John S. and James L. Knight Foundation, The Annie E. Casey Foundation, to name a few. Member banks include Bank of America, Deutche Bank and J.P. Morgan Chase. Cleveland Foundation is an affiliate member.
Source: Cleveland Foundation
Writer: Frank W. Lewis
The Integration Initiative, by the New York-based Living Cities philanthropic collaborative, will pump almost $15 million in grants, loans and targeted investments into Cleveland. One of five cities chosen, Cleveland impressed the evaluators with plans to leverage the buying power of institutions in and around University Circle -- which spend some $3 billion annually on goods and services -- into new businesses and jobs. And not just any businesses, but innovative, green operations that provide their workers with more than just paychecks.
Some of the funding will be used to start or relocate businesses in the growing Heath-Tech Corridor between University Circle and Cleveland State. Other funds will expand the Evergreen Cooperatives network of employee-owned businesses, all of which meet the institutions' procurement needs in new ways, and satisfy Living Cities' demand for "game-changing" new strategies.
Evergreen Cooperative Laundry, for example, uses far less water than competitors, allowing the institutions to reduce their carbon footprints. The laundry currently employs 28, and will expand to 50. Ohio Solar Cooperative employs 25 -- already exceeding expectations -- and will hire another 50 over the next three years. The Green City Growers hydroponic greenhouse will employ 45 when it opens on East 55th Street later this year.
All Evergreen businesses allow workers to build equity in the company and share in profits. "An 8-, 9- 10-dollar-an-hour job is not really enough to change someone's life," says Lillian Kuri of the Cleveland Foundation, which coordinated the applications to Living Cities. "The ability for wealth creation is absolutely essential to changing neighborhoods."
Five more co-ops are in the pipeline, Kuri says. Two will launch "soon," the other three over the next one to two years.
Many of the foundations that make up Living Cities will be familiar to NPR listeners: the Bill & Melinda Gates Foundation, John S. and James L. Knight Foundation, The Annie E. Casey Foundation, to name a few. Member banks include Bank of America, Deutche Bank and J.P. Morgan Chase. Cleveland Foundation is an affiliate member.
Source: Cleveland Foundation
Writer: Frank W. Lewis
The marriage of high-tech design and high-end dining is proving a win-win for diners, local restaurateurs and Epstein Design Partners, a Shaker Square-based design firm.
‘last place’ is best place for fledgling clothing company
Cleveland has long been a struggling kind of place -- even when the
steel mills were smoking or the Browns were winning, and especially when
the river was burning or LeBron was bolting. It's that constant
struggle to keep going even when failure looms that gives the city its
edge.
That's the gritty, hip, survivor-type message thrust on the front of T-shirts and hoodies created by fledgling clothing company Last Place. The bold designs and short, witty sayings graphically depict the impressions of young people who call this fair city home.
"Last Place represents the creative individuals everywhere that are making things happen by challenging mediocre," says Irwan Awalludin, who came up with the brand as a project for his senior BFA. The idea took off, and Awalludin joined forces with three other Cleveland Institute of Art students to take Last Place from senior project to legitimate clothing line.
Last Place has an online catalog; the clothing is also on sale at Heart and Sole in Cleveland Heights. Prices range from $24 for a pre-shrunk, heavy-weight cotton tee to $64 for a sweatshirt. The fall lineup officially launched in October, and there's more planned.
"Regardless of where you stand, the garments serve as a symbol that you're on your way, or as a badge worn with pride showing that you were able to overcome your circumstances," according to the Last Place website. Awalludin and his cohorts hope that Last Place represents the beginning of a bright future amid the ongoing struggles.
SOURCE: Irwan Awalludin
WRITER: Diane DiPiero
That's the gritty, hip, survivor-type message thrust on the front of T-shirts and hoodies created by fledgling clothing company Last Place. The bold designs and short, witty sayings graphically depict the impressions of young people who call this fair city home.
"Last Place represents the creative individuals everywhere that are making things happen by challenging mediocre," says Irwan Awalludin, who came up with the brand as a project for his senior BFA. The idea took off, and Awalludin joined forces with three other Cleveland Institute of Art students to take Last Place from senior project to legitimate clothing line.
Last Place has an online catalog; the clothing is also on sale at Heart and Sole in Cleveland Heights. Prices range from $24 for a pre-shrunk, heavy-weight cotton tee to $64 for a sweatshirt. The fall lineup officially launched in October, and there's more planned.
"Regardless of where you stand, the garments serve as a symbol that you're on your way, or as a badge worn with pride showing that you were able to overcome your circumstances," according to the Last Place website. Awalludin and his cohorts hope that Last Place represents the beginning of a bright future amid the ongoing struggles.
SOURCE: Irwan Awalludin
WRITER: Diane DiPiero
The Cleveland Clinic's Global Cardiovascular Innovation Center continues to attract new companies and jobs to the region. One of those snags is Farm Design, a medical product development firm that wanted so badly to be in Cleveland, they made the trip from Boston.
extraordinary gift to cleveland orchestra is extraordinary gift to future music fans
Thanks to an extraordinary financial gift from the Maltz Family Foundation in the amount of $20M, the Cleveland Orchestra has announced the formation of the Center for Future Audiences.
With the stated goal of having the youngest orchestra audience in the country by 2018, the symphony's centennial, the endowment will remove the financial barrier standing in the way of Cleveland's youth by subsidizing or offering free admission to young concert-goers.
"It's incomprehensible to think of Cleveland losing this Orchestra," said Milton Maltz, President of the Maltz Family Foundation. "This would be equivalent to stopping the heartbeat of this great city. Over the decades there have been many contributors to our Orchestra. It is now this generation's turn to continue to uphold the tradition. It's the right thing to do. It's our responsibility."
"The Maltz Family's extraordinary generosity is deeply appreciated," added Gary Hanson, the Orchestra's Executive Director. "The Foundation's philanthropy is a vote of confidence in the future of the Orchestra and will be an inspiration to others who care deeply about our community."
Read the Orchestra' official release here.
With the stated goal of having the youngest orchestra audience in the country by 2018, the symphony's centennial, the endowment will remove the financial barrier standing in the way of Cleveland's youth by subsidizing or offering free admission to young concert-goers.
"It's incomprehensible to think of Cleveland losing this Orchestra," said Milton Maltz, President of the Maltz Family Foundation. "This would be equivalent to stopping the heartbeat of this great city. Over the decades there have been many contributors to our Orchestra. It is now this generation's turn to continue to uphold the tradition. It's the right thing to do. It's our responsibility."
"The Maltz Family's extraordinary generosity is deeply appreciated," added Gary Hanson, the Orchestra's Executive Director. "The Foundation's philanthropy is a vote of confidence in the future of the Orchestra and will be an inspiration to others who care deeply about our community."
Read the Orchestra' official release here.
trio of cleveland eateries win sante awards
Santé, the Magazine for Restaurant Professionals recently announced its winners of the 2010 Santé Restaurant Awards. Currently in their 13th year, the Santé Awards were created to recognize excellence in restaurant food, wine, spirits, and service hospitality.
Claiming three of the 88 awards were Cleveland restaurants Parallax and Table 45, which won in the "Innovative" category, and Moxie, which took honors in the "Sustainable" category.
"At Table 45, we take the newest and most unique flavors from around the globe and combine them in entirely different ways to produce dishes that are unlike anything else our guests have ever tasted," said owner Zack Bruell. "Every time we create a new menu, it is an experience in culinary innovation. We are delighted to have Santé recognize our efforts."
Cleveland diners looking try these award-winning restaurants, as well as 87 other members of the Cleveland Independents restaurant group, are in luck. This year's Cleveland Restaurant Week runs from November 1 through 14, with participating eateries offering special three-course prix fixe meals for just $30.
See the complete list Sante' award winners here, and participating Restaurant Week eateries here.
Claiming three of the 88 awards were Cleveland restaurants Parallax and Table 45, which won in the "Innovative" category, and Moxie, which took honors in the "Sustainable" category.
"At Table 45, we take the newest and most unique flavors from around the globe and combine them in entirely different ways to produce dishes that are unlike anything else our guests have ever tasted," said owner Zack Bruell. "Every time we create a new menu, it is an experience in culinary innovation. We are delighted to have Santé recognize our efforts."
Cleveland diners looking try these award-winning restaurants, as well as 87 other members of the Cleveland Independents restaurant group, are in luck. This year's Cleveland Restaurant Week runs from November 1 through 14, with participating eateries offering special three-course prix fixe meals for just $30.
See the complete list Sante' award winners here, and participating Restaurant Week eateries here.
next american city recaps reclaiming vacant properties conference
If you didn't have an opportunity to attend the Reclaiming Vacant Properties conference held here two weeks ago, we urge you to read this thorough rundown in Next American City.
Reporting for the mag is Cleveland-based sustainability writer Marc Lefkowitz, a frequent Next American City contributor.
Cleveland was chosen to host the conference, explained keynote speaker Alex Kotlowitz, not simply because the city is plagued by foreclosures and vacant properties, but rather because Cleveland is "pushing back."
Lefkowitz writes that Kotlowitz was particularly inspired by Cleveland Housing Court Judge Raymond Pianka's efforts to adjudicate and fine banks in absentia. And during a session titled "Re-Imagining America's Older Industrial Cities," the writer quotes Presley Gillespie of Youngstown Neighborhood Development Corporation as saying they are "taking a page from Cleveland" by demolishing vacant properties to turn into community gardens. "We're talking about cities that are smaller but stronger," adds Gillespie.
The conference kicked off with tours of Cleveland's vacant land reuse efforts, which earned attention for creating a common language and roadmap for change, Lefkowitz says.
Read the entire conference report here.
Reporting for the mag is Cleveland-based sustainability writer Marc Lefkowitz, a frequent Next American City contributor.
Cleveland was chosen to host the conference, explained keynote speaker Alex Kotlowitz, not simply because the city is plagued by foreclosures and vacant properties, but rather because Cleveland is "pushing back."
Lefkowitz writes that Kotlowitz was particularly inspired by Cleveland Housing Court Judge Raymond Pianka's efforts to adjudicate and fine banks in absentia. And during a session titled "Re-Imagining America's Older Industrial Cities," the writer quotes Presley Gillespie of Youngstown Neighborhood Development Corporation as saying they are "taking a page from Cleveland" by demolishing vacant properties to turn into community gardens. "We're talking about cities that are smaller but stronger," adds Gillespie.
The conference kicked off with tours of Cleveland's vacant land reuse efforts, which earned attention for creating a common language and roadmap for change, Lefkowitz says.
Read the entire conference report here.
Scott Colosimo had a dream to produce a stripped-down '60s-inspired motorcycle that looks like a million bucks but costs less than $5,000. Guess what? He pulled it off, launching a growing company called Cleveland CycleWerks.
The Civic Commons is a modern-day marriage of online technology, citizen journalism, and civic collaboration. The mission? To inform, engage and lead local residents to action on any number of weighty topics. Our guides: Dan Moulthrop and Noelle Celeste.
npr and new york times say happy dog/cle orchestra mash-up is music to their ears
The avant-garde mash-up of two radically different Cleveland legends -- the Happy Dog Saloon and the Cleveland Orchestra -- has been garnering big props, both locally and nationally.
In addition to a widely aired shout-out on NPR's Weekend Edition, the Happy Dog's recent classical music experiments, where chamber music pros take to the very small stage, caught the attention of the New York Times.
In an article titled, "The Key Was B Flat; the Beer Wasn't," the Old Gray Lady praises the Cleveland Orchestra's unconventional method of winning new fans.
"Anyone popping in for a quick beer at the Happy Dog bar in Cleveland on Wednesday night and expecting the usual fare -- polka, country or indie rock -- would have been surprised," the reporter writes.
Read the liner notes here.
To listen to David C. Barnett's NPR piece, click here.
In addition to a widely aired shout-out on NPR's Weekend Edition, the Happy Dog's recent classical music experiments, where chamber music pros take to the very small stage, caught the attention of the New York Times.
In an article titled, "The Key Was B Flat; the Beer Wasn't," the Old Gray Lady praises the Cleveland Orchestra's unconventional method of winning new fans.
"Anyone popping in for a quick beer at the Happy Dog bar in Cleveland on Wednesday night and expecting the usual fare -- polka, country or indie rock -- would have been surprised," the reporter writes.
Read the liner notes here.
To listen to David C. Barnett's NPR piece, click here.
new york times touts upcoming CMA exhibit
Discussing a season of rarely travelled Vatican artifacts on tour throughout the nation, arts reporter Eve M. Kahn writes in the New York Times about an upcoming stop at Cleveland Museum of Art.
Here is an excerpt: "On Sunday [October 17] 'Treasures of Heaven: Saints, Relics and Devotion in Medieval Europe' opens at the Cleveland Museum of Art, with a half-dozen Vatican loans. Displayed are marble sarcophagi and tomb fragments from the fourth century, a boxed collection of Holy Land souvenir rocks assembled around 500, and a ninth-century lidded silver vessel made to hold St. Sebastian's skull."
The exhibition, on view in the Kelvin and Eleanor Smith Foundation Exhibition Hall until January 17, 2011, will provide American audiences with an unparalleled opportunity to see 135 extraordinary works of late antique, Byzantine, and Western medieval art, including precious metalwork objects, paintings, sculptures, and illuminated manuscripts, drawn from public and private collections as well as church treasuries across the United States and Europe. Several of these spectacular works have never been seen outside their home countries.
The Times quotes Holger A. Klein, a curator of the Cleveland show, as saying that the Vatican officials "were surprisingly open to the idea" of lending. "They are not sending the actual relics" of saints' bodies, he added. "They are not sending bones."
Unearth the whole story here.
Here is an excerpt: "On Sunday [October 17] 'Treasures of Heaven: Saints, Relics and Devotion in Medieval Europe' opens at the Cleveland Museum of Art, with a half-dozen Vatican loans. Displayed are marble sarcophagi and tomb fragments from the fourth century, a boxed collection of Holy Land souvenir rocks assembled around 500, and a ninth-century lidded silver vessel made to hold St. Sebastian's skull."
The exhibition, on view in the Kelvin and Eleanor Smith Foundation Exhibition Hall until January 17, 2011, will provide American audiences with an unparalleled opportunity to see 135 extraordinary works of late antique, Byzantine, and Western medieval art, including precious metalwork objects, paintings, sculptures, and illuminated manuscripts, drawn from public and private collections as well as church treasuries across the United States and Europe. Several of these spectacular works have never been seen outside their home countries.
The Times quotes Holger A. Klein, a curator of the Cleveland show, as saying that the Vatican officials "were surprisingly open to the idea" of lending. "They are not sending the actual relics" of saints' bodies, he added. "They are not sending bones."
Unearth the whole story here.