Arts + Culture
The Neighborhood Connections program provides small financial gifts to community organizations focused on enhancing neighborhoods and engaging residents. Recipients must connect residents in meaningful ways through grass roots projects. Though the grants are small -- from $500 to $5,000 -- they can make a huge difference in the destiny of a neighborhood and its citizens.
Ever wonder who is responsible for the elements of a restaurant that guests don't eat? This engaging video offers a behind-the-scenes look at the artistic players who had a hand in designing Michael Symon's B Spot restaurant. Like Symon, these characters are all "CIA grads." But rather than attending the Culinary Institute of America, Scott Richardson, Paul Sobota and Alexander Lombardo graduated from the Cleveland Institute of Art. Thanks to Jeff Mancinetti for providing the video.
la times puts a hit on 'kill the irishman'
A recent Los Angeles Times article featured Kill the Irishman, a new film that tells the story of legendary Cleveland mobster Danny Greene, who went to war with the Mafia for control of the city's underworld economy in the 1970s.
The film is based on the book "To Kill the Irishman: The War That Crippled the Mafia" by Rick Porrello, now chief of police in Lyndhurst, where Greene was killed by a car bomb in 1977.
Cleveland is not a well-known Mafia city, says the reporter. "But there was a time -- back in the 1970s -- when the Ohio city was a raging mobster battleground. And when it came time to take out a rival, locals did more than bring a gun to a knife fight; they came on big and loud with all manner of explosives, earning Cleveland the moniker Bomb City, USA."
Greene's personality makes him an instantly likeable movie character. Jonathan Hensleigh, director and co-writer of Kill the Irishman, is quoted as saying, "As screenwriters, we're constantly asked to take characters who are actually quite despicable in real life and make them attractive. But Danny Greene really was. He actually did put orphans through school and would buy 50 turkeys for the poor at Thanksgiving and Christmas. It doesn't get any better than this as a dramatist."
Kill the Irishman, starring Ray Stevenson, Christopher Walken, Val Kilmer and Vincent D'Onofrio, hits the big screen on March 11.
Read the rest here.
The film is based on the book "To Kill the Irishman: The War That Crippled the Mafia" by Rick Porrello, now chief of police in Lyndhurst, where Greene was killed by a car bomb in 1977.
Cleveland is not a well-known Mafia city, says the reporter. "But there was a time -- back in the 1970s -- when the Ohio city was a raging mobster battleground. And when it came time to take out a rival, locals did more than bring a gun to a knife fight; they came on big and loud with all manner of explosives, earning Cleveland the moniker Bomb City, USA."
Greene's personality makes him an instantly likeable movie character. Jonathan Hensleigh, director and co-writer of Kill the Irishman, is quoted as saying, "As screenwriters, we're constantly asked to take characters who are actually quite despicable in real life and make them attractive. But Danny Greene really was. He actually did put orphans through school and would buy 50 turkeys for the poor at Thanksgiving and Christmas. It doesn't get any better than this as a dramatist."
Kill the Irishman, starring Ray Stevenson, Christopher Walken, Val Kilmer and Vincent D'Onofrio, hits the big screen on March 11.
Read the rest here.
Greater Clevelanders are fortunate to live near an abundant source of fresh water. Lake Erie and the Great Lakes contain one-fifth of the world's fresh water supply. Many places in the world are not so lucky -- in fact, more people die each year from contaminated water than from all forms of violence and war combined.
This month, a group of environmental artists are taking over a vacant space at Tower City Center to create an art display on the importance of water. The exhibit, which will be displayed during the Cleveland International Film Festival (CIFF), from March 24 to April 3, is being organized as part of World Water Day events for Sustainable Cleveland 2019, an effort to create a green economy in Cleveland by 2019.
The sculpture, which will be crafted from decorated two-liter bottles, will educate Clevelanders about the importance of water conservation, and will also raise funds for a water well that will serve an elementary school in rural Uganda. The school, St. Charles Elementary School, is a sister school to Carl and Louis Stokes Central Academy, a K-8 public school in Cleveland.
For the project, 150 students at Stokes Academy will carry their own two-liter bottle of water with them on a bus from their school to Tower City on World Water Day, which takes place Tuesday, March 22nd. It's a gesture of solidarity with their pen pals in Uganda, who each fill their own bottles and carry them to school on a daily basis. The artists will also travel to the school to educate students on the importance of water.
Lead artist Nicole McGee and other project leaders will also work with Stokes students to help them decorate the two-liter bottles to represent the meaning of water in their lives.
Source: Nicole McGee
Writer: Lee Chilcote
This month, a group of environmental artists are taking over a vacant space at Tower City Center to create an art display on the importance of water. The exhibit, which will be displayed during the Cleveland International Film Festival (CIFF), from March 24 to April 3, is being organized as part of World Water Day events for Sustainable Cleveland 2019, an effort to create a green economy in Cleveland by 2019.
The sculpture, which will be crafted from decorated two-liter bottles, will educate Clevelanders about the importance of water conservation, and will also raise funds for a water well that will serve an elementary school in rural Uganda. The school, St. Charles Elementary School, is a sister school to Carl and Louis Stokes Central Academy, a K-8 public school in Cleveland.
For the project, 150 students at Stokes Academy will carry their own two-liter bottle of water with them on a bus from their school to Tower City on World Water Day, which takes place Tuesday, March 22nd. It's a gesture of solidarity with their pen pals in Uganda, who each fill their own bottles and carry them to school on a daily basis. The artists will also travel to the school to educate students on the importance of water.
Lead artist Nicole McGee and other project leaders will also work with Stokes students to help them decorate the two-liter bottles to represent the meaning of water in their lives.
Source: Nicole McGee
Writer: Lee Chilcote
On Saturday, February 26, about 1,000 of Cleveland's most colorful characters attended the 20th Annual Jump Back Ball at the tony State Theatre. The theme of the event, which benefits the not-for-profit performing arts center PlayhouseSquare, was Passport to Party. And as Fresh Water photographer Bob Perkoski so capably captured, attendees dressed accordingly. Grab your own passport and enjoy the show.
'largest feature film ever made in ohio' coming soon
The Greater Cleveland Film Commission has announced that Marvel Studios will shoot parts of the film The Avengers in Cleveland.
"Marvel Studios is bringing The Avengers to Ohio for two reasons: the Ohio Motion Picture Tax Credit and the efforts of the Greater Cleveland Film Commission. We look forward to collaborating with the Film Commission and working in the great state of Ohio," said Louis D'Esposito, Co-President of Marvel Studios.
The Ohio Film Tax Credit was passed in July 2009 and 12 projects have been approved to receive the tax credit since then. Ten of these films will be produced in Northeast Ohio and will employ more than 1,800 cast and crew as well as thousands of extras.
The Avengers will also be filmed in New Mexico and New York. The all-star cast includes Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Jeremy Renner, Scarlett Johansson, Clark Gregg and Samuel L. Jackson. It will be written and directed by Joss Whedon.
"The production will be the largest feature film ever made in Ohio, as well as the largest Marvel Studios production to date. The film will employ hundreds of Ohio-based cast and crew, and use local service and supply vendors. Pre-production is already underway with principal photography scheduled to start in April 2011 and running through September 2011."
View the dailies here.
"Marvel Studios is bringing The Avengers to Ohio for two reasons: the Ohio Motion Picture Tax Credit and the efforts of the Greater Cleveland Film Commission. We look forward to collaborating with the Film Commission and working in the great state of Ohio," said Louis D'Esposito, Co-President of Marvel Studios.
The Ohio Film Tax Credit was passed in July 2009 and 12 projects have been approved to receive the tax credit since then. Ten of these films will be produced in Northeast Ohio and will employ more than 1,800 cast and crew as well as thousands of extras.
The Avengers will also be filmed in New Mexico and New York. The all-star cast includes Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Jeremy Renner, Scarlett Johansson, Clark Gregg and Samuel L. Jackson. It will be written and directed by Joss Whedon.
"The production will be the largest feature film ever made in Ohio, as well as the largest Marvel Studios production to date. The film will employ hundreds of Ohio-based cast and crew, and use local service and supply vendors. Pre-production is already underway with principal photography scheduled to start in April 2011 and running through September 2011."
View the dailies here.
cle 'top 10 emerging fashion destination'
CheapFlights included Cleveland on its recent list of the World's "Top 10 Emerging Fashion Destinations."
"With the increase in cheap flights making different countries and cultures more accessible, the world evolves more fully into a globalised society with a lifestyle that takes influence from many different cultures. As such, it makes sense that fashion would influence travel and travel would influence fashion, putting new cultures top of mind and opening doors and minds to new looks and new locations," says Nadine Hallak, Travel Expert for CheapFlights.
The list notes Cleveland's own Fashion Week, established in 2002 by the Cleveland Fashion Institute, which takes place during the first week of May. The event features hot new designers from across the U.S. and includes runway shows as well as parties and lectures.
Sydney, Beirut, Johannesburg, and Toronto also made the CheapFlights fashion list.
Enjoy the entire line here.
"With the increase in cheap flights making different countries and cultures more accessible, the world evolves more fully into a globalised society with a lifestyle that takes influence from many different cultures. As such, it makes sense that fashion would influence travel and travel would influence fashion, putting new cultures top of mind and opening doors and minds to new looks and new locations," says Nadine Hallak, Travel Expert for CheapFlights.
The list notes Cleveland's own Fashion Week, established in 2002 by the Cleveland Fashion Institute, which takes place during the first week of May. The event features hot new designers from across the U.S. and includes runway shows as well as parties and lectures.
Sydney, Beirut, Johannesburg, and Toronto also made the CheapFlights fashion list.
Enjoy the entire line here.
usa today recognizes cle as superman's home
A recent post in the travel section of USA Today mentions Cleveland's recent homage to Superman and his creators, Jerry Siegel and Joe Shuster. The two teenagers created the comic superhero while growing up in Cleveland's Glenville neighborhood in the 1930s.
Cleveland is now paying tribute to the Man of Steel and his creators by placing street signs bearing the Superman insignia and honorary street names such as "Lois Lane" in the neighborhood where Siegel and Shuster once lived.
The new street signs can be found near Siegel's former home at the intersection of E. 105th Street and Kimberley Avenue and Shuster's former home at Parkwood Drive and Amor Avenue.
Read the Daily Planet news here.
Cleveland is now paying tribute to the Man of Steel and his creators by placing street signs bearing the Superman insignia and honorary street names such as "Lois Lane" in the neighborhood where Siegel and Shuster once lived.
The new street signs can be found near Siegel's former home at the intersection of E. 105th Street and Kimberley Avenue and Shuster's former home at Parkwood Drive and Amor Avenue.
Read the Daily Planet news here.
HuffPo interviews ICA's albano
The Huffington Post recently posted an interview with Albert Albano, executive director of the Cleveland-based Intermuseum Conservation Association (ICA), the nation's oldest non-profit regional art conservation center. Founded in 1952 by the directors of six Midwestern museums, the ICA "protects, preserves and enriches the shared heritage of art and material culture through conservation, advocacy and education."
The ICA has one of the largest climate-controlled fine art storage facilities in the Midwest, a resource made available to artists, collectors, and institutions. "Why, because the single most important issue for cultural material [art] is a stable environment -- 24/7 in all seasons," Albano is quoted as saying.
The other main mission of the ICA is education. AMIEN, which stands for art materials information education network, is one of the ICA's premier education programs. The site, which has up to 20,000 users per month, provides artists with information about materials that are used for art.
Albano states that his strongest commitment is to the community. "Fundamentally, every object alters in one way or another over time and that alteration can sometimes substantially change the audiences' ability to understand the artist or fabricator's original intent. It is critical to understand the true intent, and only through the engagement of conservation/preservation expertise can that happen properly and therefore make that story the most comprehensible."
Examine the whole work here.
The ICA has one of the largest climate-controlled fine art storage facilities in the Midwest, a resource made available to artists, collectors, and institutions. "Why, because the single most important issue for cultural material [art] is a stable environment -- 24/7 in all seasons," Albano is quoted as saying.
The other main mission of the ICA is education. AMIEN, which stands for art materials information education network, is one of the ICA's premier education programs. The site, which has up to 20,000 users per month, provides artists with information about materials that are used for art.
Albano states that his strongest commitment is to the community. "Fundamentally, every object alters in one way or another over time and that alteration can sometimes substantially change the audiences' ability to understand the artist or fabricator's original intent. It is critical to understand the true intent, and only through the engagement of conservation/preservation expertise can that happen properly and therefore make that story the most comprehensible."
Examine the whole work here.
The Capitol Theatre, a three-screen movie theater at Detroit and W. 65th Street that opened in late 2009, has met its projections by attracting 45,000 patrons in its first year.
The pioneering venue is the only indie movie theater on Cleveland's west side. The Detroit Shoreway Community Development Organization (DCSDO), the nonprofit developer, secured financing and broke ground on the project just a few months before the collapse of the financial markets in 2008. The theater, which contains a beautifully restored main room and two smaller rooms, is a centerpiece of the burgeoning Gordon Square Arts District.
To ensure continued viability, the Capitol must grow its audience by 10 percent per year for the next five years, says Jenny Spencer, Project Manager with DSCDO. "Right now, we're building an audience," says Spencer. "We're doing about as well as we'd expected, but we need to keep growing."
Spencer cited the strong attendance during recent screenings of Black Swan and True Grit as indication that the Capitol's audience will continue to grow.
Since the Capitol opened, it has broken the corporate mold by offering special events, resident discounts, partnerships with local restaurants and other creative strategies to entice moviegoers. Currently, it is offering a promotion for Lakewood residents, who can see a movie for $6 through the end of March. The Capitol is run by Cleveland Cinemas, which manages eight theaters, including the Cedar Lee.
The Capitol Theatre's growing audience will also help to attract more independent films, Spencer said. When the Capitol Theatre project was first launched, the venue was billed as the "Cedar Lee of the West Side" by promoters. However, the theater had difficulty attracting the indie hit "Waiting for Superman" because attendance wasn't high enough. Thus, the theater has been forced to screen a mix of independent and larger Hollywood films, and Spencer says that will likely continue.
Although movie theaters across the country continue to face competition from Netflix and other online services, Spencer says that special events such as "Sunday Classic Movies" and partnerships with restaurants are attracting patrons seeking a unique movie-going experience. And while Crocker Park has 16 screens, she adds, the Capitol is still the only West Side venue where you can order a beer.
Source: Jenny Spencer
Writer: Lee Chilcote
The pioneering venue is the only indie movie theater on Cleveland's west side. The Detroit Shoreway Community Development Organization (DCSDO), the nonprofit developer, secured financing and broke ground on the project just a few months before the collapse of the financial markets in 2008. The theater, which contains a beautifully restored main room and two smaller rooms, is a centerpiece of the burgeoning Gordon Square Arts District.
To ensure continued viability, the Capitol must grow its audience by 10 percent per year for the next five years, says Jenny Spencer, Project Manager with DSCDO. "Right now, we're building an audience," says Spencer. "We're doing about as well as we'd expected, but we need to keep growing."
Spencer cited the strong attendance during recent screenings of Black Swan and True Grit as indication that the Capitol's audience will continue to grow.
Since the Capitol opened, it has broken the corporate mold by offering special events, resident discounts, partnerships with local restaurants and other creative strategies to entice moviegoers. Currently, it is offering a promotion for Lakewood residents, who can see a movie for $6 through the end of March. The Capitol is run by Cleveland Cinemas, which manages eight theaters, including the Cedar Lee.
The Capitol Theatre's growing audience will also help to attract more independent films, Spencer said. When the Capitol Theatre project was first launched, the venue was billed as the "Cedar Lee of the West Side" by promoters. However, the theater had difficulty attracting the indie hit "Waiting for Superman" because attendance wasn't high enough. Thus, the theater has been forced to screen a mix of independent and larger Hollywood films, and Spencer says that will likely continue.
Although movie theaters across the country continue to face competition from Netflix and other online services, Spencer says that special events such as "Sunday Classic Movies" and partnerships with restaurants are attracting patrons seeking a unique movie-going experience. And while Crocker Park has 16 screens, she adds, the Capitol is still the only West Side venue where you can order a beer.
Source: Jenny Spencer
Writer: Lee Chilcote
korea times talks up cle museum of art
The Korea Times, the oldest English-language newspaper published in South Korea, featured the Cleveland Museum of Art in a recent article. The museum will hold an exhibition called "The Lure of Painted Poetry: Japanese and Korean Art" from March 27 to August 28.
Korean and Japanese artists have combined visual art and poetry for centuries, using the themes of classical Chinese poetry as inspiration for calligraphy, painting, and the decorative arts.
The works in this exhibition, like the Chinese poems upon which they are based, explore the theme of "spiritual utopia and liberation from a mundane life." Contemporary objects as well as works from the Muromachi, Momoyama, and Edo periods of Japan (1392-1867) and the Joseon Kingdom of Korea (1392-1910) will be featured.
The exhibition was organized by Sun Seung-hye, associate curator of Japanese and Korean Art for the Cleveland Museum of Art.
Peruse the piece here.
Korean and Japanese artists have combined visual art and poetry for centuries, using the themes of classical Chinese poetry as inspiration for calligraphy, painting, and the decorative arts.
The works in this exhibition, like the Chinese poems upon which they are based, explore the theme of "spiritual utopia and liberation from a mundane life." Contemporary objects as well as works from the Muromachi, Momoyama, and Edo periods of Japan (1392-1867) and the Joseon Kingdom of Korea (1392-1910) will be featured.
The exhibition was organized by Sun Seung-hye, associate curator of Japanese and Korean Art for the Cleveland Museum of Art.
Peruse the piece here.
Since 2001, Cleveland Public Theatre has been fostering original works by independent Northeast Ohio artists through its residency program. Titled Big [BOX], the program provides budding talent access to resources such as stage management, production staff, box office, and marketing and advertising support. For one week, artists are "given the keys to the theater" to polish their productions, culminating in a full-weekend run.
Last week, the Museum of Contemporary Art Cleveland (MOCA) figuratively broke ground on its new home at Euclid Avenue and Mayfield Road in University Circle.
Yet much like spring in Cleveland, MOCA's literal ground breaking, one hopes, isn't too far off. The 34,000-square-foot facility, which will cost nearly $27 million to build, is scheduled to begin construction within the next two months. The grand opening is slated to follow one year later.
Like other contemporary art museums, MOCA started small. In fact, the new museum represents something of a homecoming, since MOCA's original, late-1960s home was a rented house on nearby Bellflower Avenue. As modern art began to receive its due, so too did MOCA, expanding to the second floor of the Cleveland Playhouse on Carnegie, a spot that it has occupied for decades.
The new building, which was designed by London-based Foreign Office Architects (FOA), is itself a showpiece of modern architecture. Renderings of MOCA's new home show a sleek black stainless steel and glass exterior, with the luminescent, gem-like building lighting up the prominent corner at Euclid and Mayfield.
"This is the prow of the ship, the entry point into University Circle's Uptown neighborhood, and MOCA will be a beacon for something new and different," said Stuart Kohl, the co-chair of MOCA's capital campaign, at the groundbreaking.
The possibility of relocating to University Circle became real five years ago when Case Western Reserve University (CWRU), which owned the site, approached MOCA. "You don't just walk up and buy land in this unique principality," Kohl joked to supporters.
Jill Snyder, the museum's director, said that "pathological optimism" is required to make a large building project such as this one happen in the midst of a recession.
David Abbott, President of the Gund Foundation, told supporters that projects like this one are necessary for Cleveland to remain competitive in the global economy.
"Successful communities are in competition for global talent," he said. "Creating vibrant places is an essential part of recruiting and keeping talent in Northeast Ohio."
Source: Jill Snyder, Stuart Kohl, David Abbott
Writer: Lee Chilcote
Yet much like spring in Cleveland, MOCA's literal ground breaking, one hopes, isn't too far off. The 34,000-square-foot facility, which will cost nearly $27 million to build, is scheduled to begin construction within the next two months. The grand opening is slated to follow one year later.
Like other contemporary art museums, MOCA started small. In fact, the new museum represents something of a homecoming, since MOCA's original, late-1960s home was a rented house on nearby Bellflower Avenue. As modern art began to receive its due, so too did MOCA, expanding to the second floor of the Cleveland Playhouse on Carnegie, a spot that it has occupied for decades.
The new building, which was designed by London-based Foreign Office Architects (FOA), is itself a showpiece of modern architecture. Renderings of MOCA's new home show a sleek black stainless steel and glass exterior, with the luminescent, gem-like building lighting up the prominent corner at Euclid and Mayfield.
"This is the prow of the ship, the entry point into University Circle's Uptown neighborhood, and MOCA will be a beacon for something new and different," said Stuart Kohl, the co-chair of MOCA's capital campaign, at the groundbreaking.
The possibility of relocating to University Circle became real five years ago when Case Western Reserve University (CWRU), which owned the site, approached MOCA. "You don't just walk up and buy land in this unique principality," Kohl joked to supporters.
Jill Snyder, the museum's director, said that "pathological optimism" is required to make a large building project such as this one happen in the midst of a recession.
David Abbott, President of the Gund Foundation, told supporters that projects like this one are necessary for Cleveland to remain competitive in the global economy.
"Successful communities are in competition for global talent," he said. "Creating vibrant places is an essential part of recruiting and keeping talent in Northeast Ohio."
Source: Jill Snyder, Stuart Kohl, David Abbott
Writer: Lee Chilcote
Through its residency program, Big [BOX], Cleveland Public Theatre fosters original works by independent Northeast Ohio artists. Fresh Water photographer Bob Perkoski sat in on the rehearsals of two past and one upcoming production -- "Fast Forward-Rewind-Stop," "Cowboy Poet" and "Through Her Eyes" -- and prepared this engrossing pictorial feature. Please turn off cell phones before taking your seat.
rainey institute's new digs opens door for new program
The Rainey Institute recently moved a few doors down on East 55th from where it has been providing arts instruction for urban youth since the 1960s. The move has proven to be even more significant than those involved with the organization could have imagined. Since opening the 25,000-square-foot facility in the Hough neighborhood, Rainey has discovered new opportunities to bring arts offerings to its students.
One of the most significant of these is the selection of Rainey to host an intensive music program that began several years ago in Venezuela and has made its way around the world.
Lee Lazar, executive director of the Insitute, says that Rainey will be the home of a new El Sistema USA program. El Sistema started in Venezuela in the 1980s to empower disadvantaged youth through ensemble music. El Sistema USA brings this opportunity to communities around the United States.
Cleveland Orchestra violinist Isabel Trautwein recently received a one-year fellowship to study the concepts of El Sistema. After touring the new Rainey facilities, Trautwein and others involved with the project decided it would be an ideal location for the program.
Students selected for the El Sistema USA program take part in an intensive, five-day-a-week musical workshop. After several months in the program, which will begin sometime this year, the students will have the opportunity to perform at Severance Hall.
Lazar credits Rainey's new music studios, sound-proof private lesson rooms and state-of-the-art theater as being a large part of what attracted Trautwein and El Sistema to Rainey. "It's all because of the building," he says.
SOURCE: Rainey Institute
WRITER: Diane DiPiero
One of the most significant of these is the selection of Rainey to host an intensive music program that began several years ago in Venezuela and has made its way around the world.
Lee Lazar, executive director of the Insitute, says that Rainey will be the home of a new El Sistema USA program. El Sistema started in Venezuela in the 1980s to empower disadvantaged youth through ensemble music. El Sistema USA brings this opportunity to communities around the United States.
Cleveland Orchestra violinist Isabel Trautwein recently received a one-year fellowship to study the concepts of El Sistema. After touring the new Rainey facilities, Trautwein and others involved with the project decided it would be an ideal location for the program.
Students selected for the El Sistema USA program take part in an intensive, five-day-a-week musical workshop. After several months in the program, which will begin sometime this year, the students will have the opportunity to perform at Severance Hall.
Lazar credits Rainey's new music studios, sound-proof private lesson rooms and state-of-the-art theater as being a large part of what attracted Trautwein and El Sistema to Rainey. "It's all because of the building," he says.
SOURCE: Rainey Institute
WRITER: Diane DiPiero
Artist Nicolette Capuano has spent the past year painstakingly restoring the ornate plaster trim and low relief sculptures in the Tudor Arms building.
Yet she's doing more than simply recreating the past; she has worked closely with building owner Rick Maron and designer Cindy Rae Cohen to create her own masterpieces -- original, hand-painted murals -- that will grace the landmark structure.
"We wanted to highlight the beauty of this historic building while adding a more contemporary touch," says Capuano, who started her company, Beyond the Wall Mural Design, after graduating from Columbus College of Art and Design in 2005.
"Blending the historic and contemporary is definitely a trend in interior design these days," Capuano adds. "We wanted to create something that felt somewhat timeless."
In April, MRN Ltd. will complete a $22 million restoration of the Tudor Arms building, converting it to a new 154-room Double Tree Hotel. The vestibule that Capuano restored will be the hotel's main entrance, while the rejuvenated ballrooms will be used for special events. (See comprehensive Tudor Arms feature in next week's Fresh Water.)
In addition to the mural restoration, Capuano also helped repair the building's one-of-a-kind plaster work where it was damaged or missing pieces. This labor-intensive process required making custom molds, recreating each piece by hand, and patching it in.
When she couldn't find the color she wanted for the trim, Capuano created one from scratch.
"The Tudor umber that we used to glaze the plaster work was hand-mixed," says Capuano. "I went through all of the Sherwin-Williams colors, but I couldn't find exactly what we wanted. I'm a perfectionist, so I kept mixing colors until I got it right."
Source: Nicolette Capuano
Writer: Lee Chilcote
Yet she's doing more than simply recreating the past; she has worked closely with building owner Rick Maron and designer Cindy Rae Cohen to create her own masterpieces -- original, hand-painted murals -- that will grace the landmark structure.
"We wanted to highlight the beauty of this historic building while adding a more contemporary touch," says Capuano, who started her company, Beyond the Wall Mural Design, after graduating from Columbus College of Art and Design in 2005.
"Blending the historic and contemporary is definitely a trend in interior design these days," Capuano adds. "We wanted to create something that felt somewhat timeless."
In April, MRN Ltd. will complete a $22 million restoration of the Tudor Arms building, converting it to a new 154-room Double Tree Hotel. The vestibule that Capuano restored will be the hotel's main entrance, while the rejuvenated ballrooms will be used for special events. (See comprehensive Tudor Arms feature in next week's Fresh Water.)
In addition to the mural restoration, Capuano also helped repair the building's one-of-a-kind plaster work where it was damaged or missing pieces. This labor-intensive process required making custom molds, recreating each piece by hand, and patching it in.
When she couldn't find the color she wanted for the trim, Capuano created one from scratch.
"The Tudor umber that we used to glaze the plaster work was hand-mixed," says Capuano. "I went through all of the Sherwin-Williams colors, but I couldn't find exactly what we wanted. I'm a perfectionist, so I kept mixing colors until I got it right."
Source: Nicolette Capuano
Writer: Lee Chilcote
At a public meeting held last week at Market Avenue Wine Bar, planners showed off designs for the future Market Square Park, an Ohio City park slated to receive a $1.5 million makeover this year from the city.
"We hope the new Market Square Park will become the de facto outdoor dining room for the West Side Market," says Ben Trimble, Program Manager with the Ohio City Near West Development Corporation (OCNW). Trimble says the park, located at the corner of Lorain and West 25th, will complement the redevelopment taking place elsewhere in the area.
Plans for revamping the park, which was completed in 1979, date back to at least 2004. OCNW selected it as a candidate for overhaul because of its dated design, lack of connection to the commercial district, and a perception that the park is unsafe.
The park, which was the original site for the West Side Market before the current building was constructed in 1912, has been a focus area for OCNW. The nonprofit helps to coordinate Open Air in Market Square, an outdoor bazaar that takes place on Saturdays throughout the summer, as well as other park programs.
When construction wraps up this fall, Trimble says the park will have "harvest tables" with bench seating, rows of new trees, public artwork with an "orchard ladder" theme defining the park's entranceway, attractive brick pavers, and an elevated stage that will be used for live music, outdoor movies, and other public performances.
Attractive new bus shelters will also be installed outside of Market Square Park. Parkworks and Cleveland Public Art, two nonprofit groups that worked on the park's redesign, say the bus shelters will be well-used. The Lorain and West 25th intersection has the second highest use of any transit waiting area in the city, second only to Public Square.
Source: Ben Trimble
Writer: Lee Chilcote
"We hope the new Market Square Park will become the de facto outdoor dining room for the West Side Market," says Ben Trimble, Program Manager with the Ohio City Near West Development Corporation (OCNW). Trimble says the park, located at the corner of Lorain and West 25th, will complement the redevelopment taking place elsewhere in the area.
Plans for revamping the park, which was completed in 1979, date back to at least 2004. OCNW selected it as a candidate for overhaul because of its dated design, lack of connection to the commercial district, and a perception that the park is unsafe.
The park, which was the original site for the West Side Market before the current building was constructed in 1912, has been a focus area for OCNW. The nonprofit helps to coordinate Open Air in Market Square, an outdoor bazaar that takes place on Saturdays throughout the summer, as well as other park programs.
When construction wraps up this fall, Trimble says the park will have "harvest tables" with bench seating, rows of new trees, public artwork with an "orchard ladder" theme defining the park's entranceway, attractive brick pavers, and an elevated stage that will be used for live music, outdoor movies, and other public performances.
Attractive new bus shelters will also be installed outside of Market Square Park. Parkworks and Cleveland Public Art, two nonprofit groups that worked on the park's redesign, say the bus shelters will be well-used. The Lorain and West 25th intersection has the second highest use of any transit waiting area in the city, second only to Public Square.
Source: Ben Trimble
Writer: Lee Chilcote
cle orchestra kills at carnegie
James R. Oestreich, writing for The New York Times, reviewed the Cleveland Orchestra's recent performances at Carnegie Hall. The two concerts were part of the Cleveland Orchestra's two-week American tour, which also included a three-day residency at Indiana University, a brief stay in Florida, and an impromptu jam session in an Ann Arbor pizza shop.
Oestreich's review is altogether positive, placing particular emphasis on conductor Franz Welser-Möst's restraint, especially in directing Debussy's "Prelude to the Afternoon of a Faun" and Toshio Hosokawa's "Woven Dreams." Oestreich states, "No successful conductor lacks ego, but Mr. Welser-Möst makes remarkably little show of it. The word restraint keeps coming to mind: a restraint that, in manner, can make him seem boyishly appealing if sometimes inscrutable; a restraint that, musically, can serve him so well."
The orchestra's performance of Strauss's "Heldenleben" was another standout. "The orchestra gloried in the work's brilliant and kaleidoscopic sonorities and produced powerful heft, with shining woodwinds and brasses, without letting the sound turn blowsy. William Preucil, the concertmaster, performed the violin solos beautifully as well as playing an obvious role in keeping the whole spectacle together. Not that Mr. Welser-Möst needed much help with a band clearly responsive to his every gesture."
Read the entire score here.
Oestreich's review is altogether positive, placing particular emphasis on conductor Franz Welser-Möst's restraint, especially in directing Debussy's "Prelude to the Afternoon of a Faun" and Toshio Hosokawa's "Woven Dreams." Oestreich states, "No successful conductor lacks ego, but Mr. Welser-Möst makes remarkably little show of it. The word restraint keeps coming to mind: a restraint that, in manner, can make him seem boyishly appealing if sometimes inscrutable; a restraint that, musically, can serve him so well."
The orchestra's performance of Strauss's "Heldenleben" was another standout. "The orchestra gloried in the work's brilliant and kaleidoscopic sonorities and produced powerful heft, with shining woodwinds and brasses, without letting the sound turn blowsy. William Preucil, the concertmaster, performed the violin solos beautifully as well as playing an obvious role in keeping the whole spectacle together. Not that Mr. Welser-Möst needed much help with a band clearly responsive to his every gesture."
Read the entire score here.
Verb Ballets, a national repertory dance company based in Cleveland Heights, is planning to expand this year to a larger space in a Shaker Heights church.
The city of Shaker Heights will provide a $10,000 job creation grant to the dance company to facilitate their move to the basement of Christ Episcopal Church on Warrensville Center road. Shaker Heights has recently gained attention for its proactive efforts to recruit new commercial tenants to the city, which has historically had a largely residential tax base.
The grant will be used to defray moving expenses and purchase equipment. Verb Ballets has negotiated a five-year lease with Christ Episcopal Church, where the basement will serve as an office, studio and future black box theatre.
Phase I of the project will include construction of the studio and offices. Verb Ballets anticipates being able to generate additional income from tuitions and rentals to independent artists.
Phase II of the project calls for theatrical lighting equipment, sound board, stage and seating area. This black box space will then be used for Verb Ballets performances, and also leased to other artists for performance use. Verb Ballets expects Phase I to be completed this year. There is no timeline yet for Phase II.
Income tax revenues from Verb Ballets' new Shaker Heights location are expected to repay the $10,000 job creation grant in a little over two years, according to the city of Shaker Heights.
This season, Verb Ballets will perform at Cleveland Public Theatre and St. Ignatius High School. The dance company has also performed at Cain Park.
Source: The City of Shaker Heights
Writer: Lee Chilcote
The city of Shaker Heights will provide a $10,000 job creation grant to the dance company to facilitate their move to the basement of Christ Episcopal Church on Warrensville Center road. Shaker Heights has recently gained attention for its proactive efforts to recruit new commercial tenants to the city, which has historically had a largely residential tax base.
The grant will be used to defray moving expenses and purchase equipment. Verb Ballets has negotiated a five-year lease with Christ Episcopal Church, where the basement will serve as an office, studio and future black box theatre.
Phase I of the project will include construction of the studio and offices. Verb Ballets anticipates being able to generate additional income from tuitions and rentals to independent artists.
Phase II of the project calls for theatrical lighting equipment, sound board, stage and seating area. This black box space will then be used for Verb Ballets performances, and also leased to other artists for performance use. Verb Ballets expects Phase I to be completed this year. There is no timeline yet for Phase II.
Income tax revenues from Verb Ballets' new Shaker Heights location are expected to repay the $10,000 job creation grant in a little over two years, according to the city of Shaker Heights.
This season, Verb Ballets will perform at Cleveland Public Theatre and St. Ignatius High School. The dance company has also performed at Cain Park.
Source: The City of Shaker Heights
Writer: Lee Chilcote
cleveland museum sells off 'non-essential' works
"The Cleveland Museum of art did better than expected in the largest sale of works from its collection in a half century -- roughly 45 percent better," says Plain Dealer writer Steven Litt.
The museum auctioned off several items from its collection deemed nonessential in order to improve its Old Master paintings collection. The auction, held last week at Sotheby's New York, was titled "Important Old Master Paintings."
According to Litt, the museum offered 32 paintings at prices estimated to bring between $706,000 and $1,022,000. The museum earned approximately $450,000 more than the highest estimate.
Among the items sold were "Dune Landscape with Figures" by the 17th century Dutch painter Philips Wouwerman. Estimated at $100,000 to $150,000, it sold for $446,500. A pair of 18th-century paintings depicting an ancient Roman battle were estimated to sell for $200,000 to $300,000. The sale price with premium was $482,500.
"We were pleased to be swept along by a generally enthusiastic group of buyers and stronger than expected sales across many lots," C. Griffith Mann, the museum's chief curator, told Litt. "Things went within or beyond the estimates."
Read the rest of the story here.
The museum auctioned off several items from its collection deemed nonessential in order to improve its Old Master paintings collection. The auction, held last week at Sotheby's New York, was titled "Important Old Master Paintings."
According to Litt, the museum offered 32 paintings at prices estimated to bring between $706,000 and $1,022,000. The museum earned approximately $450,000 more than the highest estimate.
Among the items sold were "Dune Landscape with Figures" by the 17th century Dutch painter Philips Wouwerman. Estimated at $100,000 to $150,000, it sold for $446,500. A pair of 18th-century paintings depicting an ancient Roman battle were estimated to sell for $200,000 to $300,000. The sale price with premium was $482,500.
"We were pleased to be swept along by a generally enthusiastic group of buyers and stronger than expected sales across many lots," C. Griffith Mann, the museum's chief curator, told Litt. "Things went within or beyond the estimates."
Read the rest of the story here.