Stories
Fresh Water contributor Christopher Johnston steps inside Cleveland's human trafficking scene to uncover some dark realities — and the people and organizations battling them.
On Friday, May 5, from 6 – 9 p.m., SPACES will host an opening reception of The First 100+ Days, which is an exhibition of Ohio-based artists’ responses to the initial phase of Trump’s presidency — specifically regarding his immigration policy.
The artworks feature stories from immigrant and refugee communities while addressing the practical application of the Trump administration’s direction. The exhibition also considers how the media influences political discourse and aims to capture the radical potential of artistic activism.
The hard-hitting and varied responses from artists living in Ohio — a strategically positioned swing state — will be accompanied by a timeline of actions taken since President Trump's Jan. 20 inauguration that have introduced, enacted, and protested changing immigration policies during these politically turbulent times.
Participating artists include Julia Christensen, Ryan Dewey, Michelangelo Lovelace, Home Affairs (Arzu Ozkal, Claudia Pederson, Nanette Yannuzzi), Tony Ingrisano, Kelley O’Brien, Darice Polo, John C. Williams, and Megan Young.
The First 100+ Days will be on display through June 30 and is curated by SPACES executive director, Christina Vassallo, with assistance from Karl Anderson. The gallery is located at 2900 Detroit Ave. in Hingetown.
To complement the exhibition, SPACES is offering a number of companion events to further explore U.S, immigration policy.
FamilySPACES, Saturday, June 4, 2 – 4 p.m.: Art-making activities to help families talk with children about the changing world.
Sanctuary City Potluck, Thursday, June 8, 6 – 8 p.m.: Dinner and panel discussion on how to be a community ally.
Live Jury, Saturday, June 24, 2 – 4 pm: Artists and architects are invited to submit U.S.-Canada border wall designs to the Unofficial Global Barrier-Centric Design Competition. Shortlisted entries will be judged on this day before a live jury.
Fact or Fiction?, June 29, 6 – 8 p.m.: An evening of alternative fact trivia and print making, presented by April Bleakney. Attendees are invited to learn about the impact of the printing press in resistance efforts throughout history and to make a print to take home.
Additional events may be added. Check the SPACES event calendar for updates.
The artworks feature stories from immigrant and refugee communities while addressing the practical application of the Trump administration’s direction. The exhibition also considers how the media influences political discourse and aims to capture the radical potential of artistic activism.
The hard-hitting and varied responses from artists living in Ohio — a strategically positioned swing state — will be accompanied by a timeline of actions taken since President Trump's Jan. 20 inauguration that have introduced, enacted, and protested changing immigration policies during these politically turbulent times.
Participating artists include Julia Christensen, Ryan Dewey, Michelangelo Lovelace, Home Affairs (Arzu Ozkal, Claudia Pederson, Nanette Yannuzzi), Tony Ingrisano, Kelley O’Brien, Darice Polo, John C. Williams, and Megan Young.
The First 100+ Days will be on display through June 30 and is curated by SPACES executive director, Christina Vassallo, with assistance from Karl Anderson. The gallery is located at 2900 Detroit Ave. in Hingetown.
To complement the exhibition, SPACES is offering a number of companion events to further explore U.S, immigration policy.
FamilySPACES, Saturday, June 4, 2 – 4 p.m.: Art-making activities to help families talk with children about the changing world.
Sanctuary City Potluck, Thursday, June 8, 6 – 8 p.m.: Dinner and panel discussion on how to be a community ally.
Live Jury, Saturday, June 24, 2 – 4 pm: Artists and architects are invited to submit U.S.-Canada border wall designs to the Unofficial Global Barrier-Centric Design Competition. Shortlisted entries will be judged on this day before a live jury.
Fact or Fiction?, June 29, 6 – 8 p.m.: An evening of alternative fact trivia and print making, presented by April Bleakney. Attendees are invited to learn about the impact of the printing press in resistance efforts throughout history and to make a print to take home.
Additional events may be added. Check the SPACES event calendar for updates.
From big cats to a beloved gorilla, Tad Schoffner has come to understand the animals of Cleveland Metroparks Zoo like no one else.
This episode of "Neighbor Up Spotlight" welcomes Amanda Harris, who tells her successful employment story that was made possible by an innovative program — Step Up to UH. Also, Alicenne Passavanti explains how like opportunities are expanding into the hospitality industry.
Iraqi kebobs, duck blood soup and hard to find Latino spirits — that's just for starters in this under-the-radar roundup of some the best (and little known) noshing in the 216.
NewBridge Cleveland's adult job training programs have taken off since the center for arts and technology's 2010 opening, expanding offerings and tripling enrollment in its health-tech programming.
Expanding its virtual reality series amid this year's 'Perspectives' offerings, Cleveland’s largest film fest aims to foster a technology still trying to find its footing in Hollywood.
Parenthood is not always an easy journey for expectant families unsure where to turn for guidance on birth planning and decision-making. Luckily, navigating parents along childbirth's sometimes rocky path is the mission of a business created by Clevelander Ashley Sova.
CLEBaby is a full-service pregnancy, birth, and parenting agency that hosts local events, presents childbirth education classes, and, perhaps most importantly to its founder, provides postpartum doula services.
Sova offers educational tools that treat parenthood as an ongoing process that begins during pregnancy and continues through a baby's first months. Classes are taught in a client's home and center on a range of topics covering pregnancy, labor and birth. Sova's clientele, mostly professional women ages 27 – 40, prefer the comfortable nature of private classes over a more sterile hospital learning environment.
"They can ask embarrassing questions, and find out the information that matters for their birth experience," says Sova. "People will invite their pregnant friends and make it into a group event."
Teaching the classes are professionally trained doulas, who act as travel guides in advising families during pregnancy, birth and the immediate postpartum period. CLEBaby's postpartum doulas are also brought on to help with infant feeding and light housework, and offer mothers critical support in whatever ways they need to recover from childbirth.
Sova hired a doula for her second pregnancy after a difficult birth with her first child. Having an informed, supportive resource close at hand was a revelation, she says, one that inspired her to launch CLEBaby instead of returning to her job as a cancer researcher at Case Western Reserve University.
"Having an experienced woman who has seen so many births and knows it inside out brings such a sense of calm," Sova says. "We've had women tell us the service has been life-changing for them."
CLEBaby has served 50 to 55 families over the last year, a number Sova plans to grow through new classes and events. Outings for 2017 include a mom-centric ice cream social and a "daddy bootcamp" at a local brewery where new fathers can sip a beer while learning basic baby care.
Raising a newborn may not be all glitz and glamour, but neither should it be overwhelming or isolating, says Sova.
"We're going to continue to grow our services and our team," she says. "We want to continue on the path of having the most knowledgeable doulas around."
CLEBaby is a full-service pregnancy, birth, and parenting agency that hosts local events, presents childbirth education classes, and, perhaps most importantly to its founder, provides postpartum doula services.
Sova offers educational tools that treat parenthood as an ongoing process that begins during pregnancy and continues through a baby's first months. Classes are taught in a client's home and center on a range of topics covering pregnancy, labor and birth. Sova's clientele, mostly professional women ages 27 – 40, prefer the comfortable nature of private classes over a more sterile hospital learning environment.
"They can ask embarrassing questions, and find out the information that matters for their birth experience," says Sova. "People will invite their pregnant friends and make it into a group event."
Teaching the classes are professionally trained doulas, who act as travel guides in advising families during pregnancy, birth and the immediate postpartum period. CLEBaby's postpartum doulas are also brought on to help with infant feeding and light housework, and offer mothers critical support in whatever ways they need to recover from childbirth.
Sova hired a doula for her second pregnancy after a difficult birth with her first child. Having an informed, supportive resource close at hand was a revelation, she says, one that inspired her to launch CLEBaby instead of returning to her job as a cancer researcher at Case Western Reserve University.
"Having an experienced woman who has seen so many births and knows it inside out brings such a sense of calm," Sova says. "We've had women tell us the service has been life-changing for them."
CLEBaby has served 50 to 55 families over the last year, a number Sova plans to grow through new classes and events. Outings for 2017 include a mom-centric ice cream social and a "daddy bootcamp" at a local brewery where new fathers can sip a beer while learning basic baby care.
Raising a newborn may not be all glitz and glamour, but neither should it be overwhelming or isolating, says Sova.
"We're going to continue to grow our services and our team," she says. "We want to continue on the path of having the most knowledgeable doulas around."
A subtle CLE cameo to appear on 'Grace and Frankie'
Art of Cloth, a women's garment company in Chagrin Falls is getting ready for its close up, so to speak.
Lily Tomlin will be seen wearing the shop's locally produced, one-of-a-kind, hand-dyed tunics on Season 3 of the Netflix series Grace and Frankie, which begins this week.
Courtesy of months of correspondence with the show's costume designer and stylist, two tunics made it into Lily Tomlin's wardrobe for character Frankie Bergstein: the Emma tunic in the Grape Sky colorway and the Seabreeze Tunic in the Pompeii colorway.
A limited quantity of both garments will be available beginning on this Friday, March 24, to coincide with series season premier. Interested parties can shop online or call 440-708-1116.
Lily Tomlin will be seen wearing the shop's locally produced, one-of-a-kind, hand-dyed tunics on Season 3 of the Netflix series Grace and Frankie, which begins this week.
Courtesy of months of correspondence with the show's costume designer and stylist, two tunics made it into Lily Tomlin's wardrobe for character Frankie Bergstein: the Emma tunic in the Grape Sky colorway and the Seabreeze Tunic in the Pompeii colorway.
A limited quantity of both garments will be available beginning on this Friday, March 24, to coincide with series season premier. Interested parties can shop online or call 440-708-1116.
A year ago, Chad Supers was running sales for a "baby startup" out of his San Francisco apartment. Today, the Elyria native is back home to help integrate the now fast-growing company into Cleveland's emerging tech economy.
Growbots, a Silicon Valley sales software firm, recently opened its national sales operations office in the Tenk Machine and Tool building on the West Bank of the Flats. The company builds outbound sales platforms for nearly 500 emerging B2B companies in the U.S., Europe and Canada, raising $4 million in annual recurring revenue.
Growbots has four employees stationed at its West Bank office, among them former Phenom co-founder Mike Eppich. Supers says the Cleveland firm is prepared to bring on another two dozen sales and administrative roles by the end of 2017.
"In Cleveland we know we can get people who are hungry, hard-working and have the right attitude," Supers says.
Company leaders housed in Growbots' two other locations — Warsaw, Poland, and San Francisco — chose Cleveland for a potent talent base that's far less expensive to train and hire than the employee pools on the coasts.
"There are engineers and other great talents here, and it won't cost you what it would in San Francisco, New York or Boston," says Eppich.
Cleveland's hiring pool is a bit shallow when it comes to experienced tech workers, but that challenge can be met with in-house instruction, Supers notes.
"Any sales person should have knowledge around our space, but most people we're hiring don't know our competitors," he says. "That's the biggest struggle, so as a leader I have to set up an infrastructure where our employees can be trained."
Like many of its West Coast brethren, Growbots provides a laid-back, results-oriented work atmosphere where rounds of pool are played between work assignments. Even in such casual environs, Supers is serious about his opportunity to bring high-paying tech jobs to his hometown.
"To think I'd be starting a small company and bringing it to Cleveland from San Francisco is pretty crazy," he says.
Growbots, a Silicon Valley sales software firm, recently opened its national sales operations office in the Tenk Machine and Tool building on the West Bank of the Flats. The company builds outbound sales platforms for nearly 500 emerging B2B companies in the U.S., Europe and Canada, raising $4 million in annual recurring revenue.
Growbots has four employees stationed at its West Bank office, among them former Phenom co-founder Mike Eppich. Supers says the Cleveland firm is prepared to bring on another two dozen sales and administrative roles by the end of 2017.
"In Cleveland we know we can get people who are hungry, hard-working and have the right attitude," Supers says.
Company leaders housed in Growbots' two other locations — Warsaw, Poland, and San Francisco — chose Cleveland for a potent talent base that's far less expensive to train and hire than the employee pools on the coasts.
"There are engineers and other great talents here, and it won't cost you what it would in San Francisco, New York or Boston," says Eppich.
Cleveland's hiring pool is a bit shallow when it comes to experienced tech workers, but that challenge can be met with in-house instruction, Supers notes.
"Any sales person should have knowledge around our space, but most people we're hiring don't know our competitors," he says. "That's the biggest struggle, so as a leader I have to set up an infrastructure where our employees can be trained."
Like many of its West Coast brethren, Growbots provides a laid-back, results-oriented work atmosphere where rounds of pool are played between work assignments. Even in such casual environs, Supers is serious about his opportunity to bring high-paying tech jobs to his hometown.
"To think I'd be starting a small company and bringing it to Cleveland from San Francisco is pretty crazy," he says.
Cuyahoga County residents are going green by banding together to reap the benefits of solar energy — and they're saving plenty of green as well.
On Friday, March 17, from 5 – 9 p.m., legendary local artist Shirley Aley Campbell’s rarely exhibited collection, “The Motorcyclists of the Seventies” will be on display at 78th Street Studios in the second floor corridor and Suite 215.
The 13 large scale oil paintings were commissioned by local businessman Joseph Erdelac in 1973 and were completed in 1981. The resulting works are utterly captivating on their own, but they take on new dimension considering the background stories of the riders, which include "The Flying Angel" Debbie Lawler, who was a noted and prolific motorcycle jumper at a time when few women could successfully compete with the likes of Evel Knievel; America's “First Lady of Motorcycling” — pink Harley-riding Dot Robinson; and John Knoble and Bob 'Laco' Lawrence of the Hell's Angels Los Angeles Motorcycle Club.
Gene Wirwah, legal counsel for the American Motorcycle Association, helped Campbell choose her subjects.
Campbell, a 1947 Cleveland Institute of Art grad and 1986 Cleveland Arts Prize recipient, has work in the collections of the Cleveland Museum of Art, the Butler Institute of American Art and Case Western Reserve University, as well as private collections throughout the United States. Her work has been exhibited at major museums throughout the country.
"Motorcycles" will be on view through April 8 and will return this summer. Campbell will be on hand for tomorrow's opening to meet and chat with attendees and discuss her work.
For more information contact 78th Street Studios director Daniel Bush at 440-503-5506 or dan@78thstreetstudios.com.
The 13 large scale oil paintings were commissioned by local businessman Joseph Erdelac in 1973 and were completed in 1981. The resulting works are utterly captivating on their own, but they take on new dimension considering the background stories of the riders, which include "The Flying Angel" Debbie Lawler, who was a noted and prolific motorcycle jumper at a time when few women could successfully compete with the likes of Evel Knievel; America's “First Lady of Motorcycling” — pink Harley-riding Dot Robinson; and John Knoble and Bob 'Laco' Lawrence of the Hell's Angels Los Angeles Motorcycle Club.
Gene Wirwah, legal counsel for the American Motorcycle Association, helped Campbell choose her subjects.
Campbell, a 1947 Cleveland Institute of Art grad and 1986 Cleveland Arts Prize recipient, has work in the collections of the Cleveland Museum of Art, the Butler Institute of American Art and Case Western Reserve University, as well as private collections throughout the United States. Her work has been exhibited at major museums throughout the country.
"Motorcycles" will be on view through April 8 and will return this summer. Campbell will be on hand for tomorrow's opening to meet and chat with attendees and discuss her work.
For more information contact 78th Street Studios director Daniel Bush at 440-503-5506 or dan@78thstreetstudios.com.
