The PNC SmartHome is complete at the Cleveland Museum of Natural History and open to visitors who want to learn how to make environmentally-friendly improvements to their own properties. The 2,500-square-foot three-bedroom house uses 90 percent less energy than a traditional home, and it uses no furnace for heating and cooling. The walls are a foot thick and packed with insulation, while the windows are triple-pane glass -- both of which reduce heat loss. The home is heated and cooled with small heat pumps.

"The museum wanted to help people understand how they can dramatically reduce energy consumption," says David Beach, director of the GreenCityBlueLake Institute at CMNH. "We think the SmartHome will be the first home to receive passive home certification in Northeast Ohio."

Other features include hardwood floors made from 100-year-old reclaimed wood and artwork with environmental themes created by local artists. The landscaping features storm water management techniques to keep rain water on-site instead of in storm sewers.

So far, the home has been well-received. "People walk in it and go, 'wow,'" says Beach. "What they are reacting to immediately is what a beautiful home it is. Then they see they can learn things [to do] for their own homes."

The house will be moved to an empty lot on Wade Park Boulevard this fall and will go on the market soon. Beach says they've already received inquiries about purchasing the house.

Tours run Monday through Saturday 11 a.m. to 4 p.m., Wednesdays from 11 a.m. to 9 p.m. and Sundays 12:30 p.m. to 4 p.m. Tickets are $5 with museum admission, $3 for those who can't go upstairs. Children 2 and under are free.

Source: David Beach
Writer: Karin Connelly

The apartment buildings that line East Boulevard in Glenville boast stunning architectural details such as ornate columns, artisan brickwork and broad balconies that overlook Rockefeller Park. They attest to the wealth that once existed on this grand old street.

Yet for decades, East Boulevard has deteriorated as owners struggled with a soft market, much-needed repairs and soaring energy costs. Despite its proximity to University Circle and Rockefeller Park, the area was long considered "dicey."

Now two apartment buildings have been purchased and renovated by the Famicos Foundation, a nonprofit that serves the Glenville and Hough neighborhoods by developing affordable and market-rate housing. The group has renovated 1341 East Boulevard into six apartments, each with three bedrooms and two baths. All six suites have been pre-leased, with the first tenants taking possession in July.

Although the building's exterior has been carefully preserved -- the massive columns holding up the porches were rebuilt to match the crumbling originals -- much of the interior is new. The developer installed new heating, plumbing and electrical systems, replaced the old kitchens with fresh contemporary ones, added amenities like in-suite laundry, and upped storage space.

Also, many of the exquisite original details have been refurbished -- including oak hardwood floors, leaded-glass windows, fireplaces (many suites have two) and natural woodwork.

David Fagerhaug, Senior Project Manager with the Famicos Foundation and a resident of East Boulevard, says that the 2,000-square-foot apartments lease for $825 per month. Although he'd like to get higher rents, he says it's a good sign that the tenants are frequently professionals and University Circle employees.

The renovation of 1341 East Boulevard was made possible using federal historic tax credits, a $600,000 grant from the City of Cleveland's Housing Trust Fund and $188,000 in federal stimulus funding. Fagerhaug says that he'd like to see more buildings renovated along the street, and to see rents increase so that public subsidy is not needed to justify renovation costs.

The project was also aided by a low interest rate loan from Dollar Bank in partnership with Cleveland Action to Support Housing (CASH), a nonprofit whose mission is to spur neighborhood revitalization through home repair lending.


Source: David Fagerhaug
Writer: Lee Chilcote

Good design can stop a man in his tracks. It's what makes that concert poster scream, that neon sign hum, and that brand logo unforgettable. These consumer experiences come courtesy of the creative men and women who dare to be bold, better, brilliant. Many of the brightest design minds will be headlining the second annual Weapons of Mass Creation Fest, to be held June 11 and 12.

When Cleveland's Group Plan was created a century ago, Teddy Roosevelt was President, Tom Johnson was Mayor, and the Rockefeller family still lived in town. Back then, architect Daniel Burnham envisioned a kind of outdoor civic living room that promenaded to the lakefront beneath gracious classical buildings.

Needless to say, much has happened since then. Today, Public Square and the Mall are often desolate spaces one must walk through to reach downtown's bustling centers of gravity -- the Warehouse District, East Fourth Street and the Gateway District.

Yet last year, Mayor Frank Jackson convened a group of civic, foundation, corporate and sports leaders to envision a new Group Plan for downtown. With $1.5 billion in physical development either planned or already underway downtown, civic leaders recognized that a once-in-a-lifetime opportunity would be lost if the Medical Mart, casino and other projects weren't better connected via improved public spaces.

The Group Plan Commission recently released its recommendations, which include radical changes that if implemented would alter Cleveland's downtown for another 100 years.

Recommendations include removing Ontario Street as an artery through Public Square and allowing East Fourth Street and casino patrons to stroll through a new, signature public space; rebuilding the Mall so that it is transformed into a beautiful park for both visitors and residents; building a pedestrian bridge from the Mall's northern end to Cleveland's lakefront; and closing East Third Street between Rockwell and Superior so that it can become a green space and winter skating rink.

The Group Plan Commission is currently updating the plan and preparing to begin raising funds. To have your say, visit the public input stations at City Hall, Cleveland State University and Cleveland Public Library as well as this website.


Source: The Group Plan Commission
Writer: Lee Chilcote

Tucked between University Circle and Cleveland Heights, Little Italy is one of Cleveland's most charming and historic neighborhoods. Aluminum-sided doubles nestle against modern pastel-colored townhomes, while art galleries and Italian restaurants dot Mayfield and Murray Hill roads.

Although Italians no longer are the neighborhood's predominant ethnic group, much of the real estate is still owned by the Italian families that settled here nearly a century ago. Popular with Case Western Reserve University students and hospital employees, the area's mix of residents now reflects the diversity of University Circle.

Yet while today's Little Italy may have "just as many Chinese as Italians," says Ray Kristosik, Executive Director of the Little Italy Redevelopment Corporation, a new wave of immigrants is arriving on these shores, and they're less likely to come from Sicily than Mayfield Heights and Solon.

"Empty-nesters are beginning to move back to the area, including Italian-Americans that have family roots in the neighborhood," he says. "People love its proximity to University Circle, and the fact that while we have development, parts of the Little Italy look just like they did 80 years ago."

The influx of empty-nesters has been facilitated in part by the development of new and rehabilitated housing. Townhome projects such as Villa Carabelli, Random Road Lofts and 27 Coltman have provided contemporary, upscale housing choices for professionals seeking a low-maintenance lifestyle.

Although Kristosik says that it's important to ensure that that the area's historic housing is preserved, he believes that the new development taking place is contributing to the area's revitalization by attracting people to move back to the urban core.

In fact, Kristosik is looking forward to the day his own kids head off to college. "I can't wait for them to grow up so I can move back to the neighborhood," he says.


Source: Ray Kristosik
Writer: Lee Chilcote

When Tyler Elevator moved its facilities to the 'burbs, it left behind over one million square feet of vacant warehouse space. A labyrinth of two-dozen brick buildings spread across 10 acres, Tyler possessed more than its share of challenges when it was acquired by Graystone Properties. Today, Tyler has been reborn as a thriving entrepreneurial district -- a bona fide urban village on the fringes of downtown.

Architect David Ellison had been watching the dilapidated cluster of buildings at the southwest corner of W. 41st and Lorain fall apart for years. His dismay only grew as copper thieves looted the property, rainwater poured through the roof, and illegal activity soared in the shadows of the boarded-up building.

When Ellison learned that the City of Cleveland had granted a permit to tear the buildings down, he decided to do something. "One way to improve real estate values is to remove eyesores," he says. "Since I'm a homeowner in the neighborhood, I wanted to protect my investment."

Ellison had a different idea. He purchased the condemned buildings from Ohio City Near West (now Ohio City, Inc.). Four years later, thanks to extensive renovations, he has preserved an important piece of Ohio City's history. After peeling off layers of rotting additions, he brought back to life a beautiful brick Victorian. During the intervening span, he battled city bureaucracy, cost overruns, the credit crunch and the recession.

Ellison recently moved his architectural offices into half of the first floor, and has plans to renovate the second floor as leasable office space. He has applied for financing to finish the project, but has not been able to obtain a loan in part because Lorain Avenue's commercial rental rates make it difficult to justify the costs.

Renovating the upstairs into apartments is another option, but financing for mixed-use projects is notoriously difficult to obtain. "It's tough to get financing for a residential project in a commercial zone," he says.

Although he's discouraged by the slow pace of his project, Ellison says that Lorain Avenue has steadily improved over the years, and his renovation has helped. "The street needs more occupancy so we can push the criminal activity away," he says.

Ellison says that the rebirth witnessed in the Gordon Square Arts District can happen here. The key to success, he says, is diversifying the retail offerings on Lorain so that they serve local residents' needs while also attracting shoppers that live outside the neighborhood.


Source: David Ellison
Writer: Lee Chilcote

When sculptor John Ranally set up his live/work space in a two-story building at W. 30th and Lorain Avenue, back in 1981, he was among the first wave of urban pioneers to redevelop Ohio City.

Working with his neighbors, he fought abandoned storefronts, crime and a perception that the neighborhood was going downhill. "Things couldn't get any worse than it was then," he says. "and part of the reason why you're seeing redevelopment on Lorain now is because of the people that people stayed."

Today, Ranally's home and studio are nestled amongst the St. Ignatius High School campus. The school's commitment to Ohio City and Lorain Avenue are one of the reasons the street is beginning to see a renaissance, he says.

Yet their relationship wasn't always so cozy. In the 1970s and 1980s, when the Jesuit academy tore down blocks of dilapidated buildings to expand its campus and create a buffer from blight, Ranally found himself in the thick of a vitriolic neighborhood dispute. He even displayed a sign on his building that asked, "St. Ignatius, why are you tearing our buildings down?"

Today, Ranally says that St. Ignatius has made amends by beautifying and stabilizing the neighborhood, providing outreach programs for youth, and constructing buildings like the Breen Performing Arts Center. "We were at odds then, but if it weren't for St. Ignatius, things would be much tougher here," he says.

This summer, St. Ignatius plans to renovate the publicly accessible "mall" that provides a walkway from Lorain to Carroll Avenue for the first time in 30 years. Improvement plans include upgraded lighting, drainage and landscaping.

"Thirty years ago, the City of Cleveland allowed us to close W. 30th Street in order to create the mall, which we consider our campus' central hallway," says Father William Murphy, President of St. Ignatius. "It's always been open to the public. We're very interested in and committed to the vibrancy of Lorain Avenue and Ohio City."

Murphy cites the completion of the Breen Center as an example of new development that fits into Lorain Avenue's context. "We made a deliberate decision to put the building right on the street," he says. "We want it to feel like a high-density area."


Source: John Ranally, Father William Murphy
Writer: Lee Chilcote

When the Moreland Theatre was built in 1927, the Buckeye neighborhood was home to the largest concentration of Hungarians outside Hungary. There were also six Hungarian newspapers in the area, and nearly every shop owner on Buckeye Road spoke Hungarian (and often English, too).

In the past 40 years, Buckeye has struggled as businesses and residents fled to the suburbs. The recent foreclosure crisis also hit the area hard, leaving boarded-up homes and vacant lots in its wake.

Yet today, this multicultural community just south of Shaker Square is showing signs of renewal in the new Harvey-Rice Elementary School, the popular Soul of Buckeye jazz festival, and the long-planned redevelopment of the former Saint Luke's Hospital building into low-income senior housing.

Still, the Moreland Theatre, a 1,300-seat Vaudeville theater that features an orchestra pit and flyloft, remains empty. It's not the only one -- the North Collinwood and Cudell neighborhoods also feature historic theaters. Most of them haven't been as lucky as the recently restored Capitol Theatre in Cleveland's Detroit-Shoreway neighborhood, which is now home to a three-screen indie movie house.

You don't have to wait for the Moreland Theatre to reopen, however, to check out this architectural gem. The Buckeye Area Development Corporation (BADC) is hosting the Buckeye Antique Furnishings Sale on Saturday, April 30th from 1-5 p.m. Bargain hunters, antique hounds and the merely curious can sift through theater seats, church pews and organs, a film projector, catering and kitchen equipment and art deco architectural details. A smorgasbord of items will be on sale, with prices starting at $1.

"This is the first time that we've opened the theater to the public -- it's part of our efforts to engage the community in creating a vision for the Buckeye Cultural Center," says Deepa Vedavyas, BADC's Associate Director for Development. "People can stop by and pick up a piece of history, and all of the funds raised will go towards the restoration of the building."

BADC purchased the Moreland Theatre in 2007 with plans to convert it into a mixed-use arts complex, including a multi-purpose theater for concerts, plays, special events, affordable apartments for artists, and four new storefronts. Total renovation costs are estimated at $6.1 million. BADC was recently awarded a $100,000 grant from the Ohio Facilities Commission, and has also applied for a historic designation for the building. The nonprofit is launching a fundraising campaign for the redevelopment effort.


Source: Deepa Vedavyas
Writer: Lee Chilcote

The Tremont neighborhood recently celebrated the opening of a new parking lot at Jefferson and Professor avenues that will not only help alleviate the neighborhood's parking crunch, but also help solve the region's storm water management problem.

The parking lot incorporates bioswales that will prevent rainwater from entering the sewer system. When rain falls onto the property, it runs off into carefully designed plant systems that gradually release it back into the ground.

The parking lot was developed by the Tremont West Development Corporation (TWDC), a nonprofit community development group that serves the Tremont neighborhood, in partnership with the Northeast Ohio Regional Sewer District (NEORSD), URS, and the City of Cleveland Sustainability Office.

NEORSD is currently working on a plan for regional storm water management that it hopes will spur more small-scale efforts like this one in the future. Storm water management solutions can help address the problems of flooding, erosion and combined sewer overflows or pollution, NEORSD says.

To acquire the formerly blighted parcel, TWDC partnered with local property owners and applied for funding from the Model Blocks program of Neighborhood Progress, a nonprofit that provides grants and technical assistance to CDC's in Cleveland.

Under the new fee structure that NEORSD plans to roll out next year, property owners can also earn credits for innovative storm water management solutions that keep rainwater out of sewers. For more information, visit Project Clean Lake.


Source: Tremont West Development Corporation, Northeast Ohio Regional Sewer District
Writer: Lee Chilcote

Rhonda Sincavage has vivid memories of the day that a dilapidated shoe factory in her hometown was torn down. The incident sparked her lifelong passion for historic preservation.

"My grandfather worked there, along with many people that lived in our town," said Sincavage, Program Associate for State and Local Policy at the National Trust for Historic Preservation, at last week's sold out TEDxCLE event. "It was our town's namesake and a symbol of our community."

During her presentation, Sincavage challenged stereotypes that she encounters during her career. Preserving buildings and neighborhoods is not simply a luxury, she argued, but an economic necessity that creates jobs, boosts the local economy and creates a more sustainable future.

"When I tell people what I do, some ask if I wear period dress or if I've saved any buildings lately," she said. "Yet our generation's version of historic preservation has nothing to do with our grandmother's version. This isn't about little old ladies saving buildings; this is about learning from the past to preserve the future."

She also stated that preserved neighborhoods tend to be more diverse than others, and that preserved buildings leverage additional investment, citing Cleveland's Warehouse District as one example.

Sincavage challenged the stereotype that older buildings are expensive and inefficient. "There's no reason why historic buildings can't be as efficient as new buildings," she said. "Historic buildings are the original green -- they have windows that let in natural light and overhangs that provide for shade." Preserving older buildings also reuses existing resources rather than throwing them away.

Finally, Sincavage said that preserving neighborhoods is not only a way to spur redevelopment, it also attracts residents. The "Soul of the Community" project, an effort launched by Gallup and the James L. Knight Foundation, showed that aesthetics, openness and social offerings are the most important factors for people when choosing a place to live.

"There's really a strong correlation between someone's emotional attachment of a place and their likelihood to stay," said Sincavage.


Source: Rhonda Sincavage
Writer: Lee Chilcote

Five years ago, Deby Cowdin was cleaning up after a party. As she picked up the empty wine and liquor bottles on her porch, her friend and partner, Mindy Bohannon, dared her to do something that would change her life. "She said, 'you're a glass artist, figure out something to do with them.'" So Cowdin did exactly that. She founded Blue Bag, a company that transforms bottles into serving plates, cheese boards and other works of art.

Cowdin started the business out of her home, selling her creations first at the North Union Farmers Market at Crocker Park, then at other farmers markets and art shows. The idea took off. "We started out of necessity, as a hobby," she says. "We never really thought it would turn into a manufacturing business."

Blue Bag sales have grown 50 percent each year since 2006. This year sales are up 100 percent. Aside from two additional partners, daughter Brandy Cooney and Jeff Nischwitz, the company has eight employees. Cowdin makes a point of hiring hard-to-place people, including a disabled vet and an employee with mild autism. "We build our company around helping people," Cowdin says.

Everything from the recycling to the distribution is done in house -- these days a studio on W. 14th St. and Berea Road -- and their products are available in more than 300 retail stores nationwide. Everything with the exception of one item is purchased locally.

"We work really hard at keeping everything in Cleveland," Cowdin says. "If we don't support the local economy, who will?"


Source: Deby Cowdin
Writer: Karin Connelly

April and May bring out the best in design during the inaugural Cleveland Design Month-and-a-Half, which features two events that show off the talents of local design students as well as regional and national designers.

The Cleveland Institute of Art's annual Spring Design Show, a tradition for more than 20 years, kicks off on Tuesday, April 19, while the Cleveland Furniture Fair, hosted by Cleveland's District of Design, begins May 16.

In the spring show student work in industrial, interior and communication design will be on display for the public, as well as national employers in Case Western Reserve's Peter B. Lewis building. "More than 100 students show work and interview for internships," says CIA's head of industrial design, Dan Cuffaro. "It's a big job fair." A free public reception from 5:30 p.m. to 8 p.m. will kick off the event.

Throughout the week, designers hailing from some of the most progressive firms in the world will present a series of free lectures to the public.

The second annual Cleveland Furniture Fair will show off the brightest designers and manufacturers of furniture, lighting, millwork and more. This year's fair has a greater variety of designers from Northeast Ohio, unique seminars tailored specifically for exhibitors and the public, as well as pop-up retail shops and a variety of design-focused events.

Additionally, the American Institute of Architects (AIA) Cleveland Chapter has a calendar full of lectures, exhibitions, and tours open to the public that will introduce new and exciting architecture and design to Northeast Ohio.


Sources: Dan Cuffaro, Casey Burry
Writer: Karin Connelly

Although jewelry maker Heather Moore moved into her rehabbed Midtown studio earlier this year, she's still getting used to her spacious new digs.

Maybe that's because she's spent the last 11 years running her fast-growing business out of her house. Granted, it was no ordinary home office: the Cleveland Institute of Art grad bought her great-grandmother's estate, a rambling Heights mansion, after moving back from New York City in 1999.

"We just couldn't grow anymore -- I had 45 employees working out of my house," says Moore, whose company, Heather B. Moore Jewelry, specializes in custom-made, personalized jewelry that she sells to more than 150 retailers around the world. "The workshop was in the basement, while sales and marketing were in the attic. If we needed to have a private conversation, we had to use one of my kids' bedrooms."

To accommodate her growth, Moore recently bought and renovated a former crane-making factory at 4502 Prospect Avenue, bringing 45 new jobs to Cleveland. In her renovation, Moore reused as much of the building as she could, including leftover crane parts that were repurposed into a dining room table that now graces the large kitchen.

Moore's building renovation included removing ceilings to create a lofted second-floor office, installing new windows, and turning an old garage door into a light-filled window. Future plans include an art gallery, new patio and roof garden.

When asked about her decision to relocate to Midtown, Moore says, "There's so much industry in Cleveland that you can take advantage of. A lot of what we do mixes old school techniques with newer technologies, so this is a great place to be."

Heather B. Moore Jewelry has become known not only for its work -- Moore builds relationships with her clients to draw out their stories and create highly personalized jewelry -- but also for its sustainable business model. The company uses 100-percent recycled materials in their products.

Now that she's settled into her new studio, Moore is soaking up the extra legroom -- and she also doesn't mind the short commute. "It's seven minutes from my house," she says.


Source: Heather Moore
Writer: Lee Chilcote

American Greetings has made it possible to send a loved one a greeting card with birthday candles to blow out -- literally. The new line of cards called Ready, Set, Blow features six scenarios in which recipients are prompted to blow on the card. The puff of air prompts the card to come to life with LED lights, a song and sounds.

Users blow on the cards to extinguish birthday candles, toot a horn, or make a wish on a dandelion. The cards are designed to please recipients of all ages, and they can be used again and again.

"Ready, Set, Blow lets people experience the birthday tradition of wishing in an innovative new way," says Carol Miller, executive director of new product concepts at American Greetings. "It's so much fun to see someone receive these cards because you get to watch their surprise as they open it and then their smile unfold as the card comes to life -- and hopefully, their wish granted."

The result is an interactive experience that is the next-best thing to actually being there. American Greetings launched the line in March at retailers nationwide. They sell for $6.99 each.


Source: Carol Miller
Writer: Karin Connelly

A large map on the wall of Crafty Goodness, a new Lakewood store that sells goods from artisans that live in Northeast Ohio, provides a visual reminder of the store's mission. It pinpoints all of the different communities where the items are made, stressing the owners' commitment to the buy local movement.

"We wanted to create a store that would offer an alternative to big box retail for people that want to buy local," says Chris Sorenson, a potter who joined with artists Joanna and Matthew Orgovan to open the store at 15621 Madison Avenue.

Crafty Goodness got its start as a modern arts and crafts show that was held in Seven Hills in 2009. The success of that show inspired its creators to set up a bricks and mortar store, and a year and a half later, Crafty Goodness was born. The store, which opened in March, will celebrate its grand opening on Saturday, April 9th.

In addition to items such as clothing, home décor, jewelry, book bags, cards and notebooks, Crafty Goodness features an extensive art gallery on the walls, with more than 60 artists from seven Northeast Ohio counties represented. The owners selected Lakewood because of the community's commitment to the arts and small, local businesses.

Despite being only 750 square feet, Crafty Goodness offers a wide array of merchandise. Sorenson plans to continue hosting the annual craft show and hopes to find a space in Lakewood for this year's event.

Crafty Goodness also hosts a variety of classes, including jewelry making, needle arts and vegan baking, for consumers of all ages. The majority of the classes, which run about two hours and are affordably priced in the $20-35 range, are presented in a make-and-take format, which lets participants go home with an original work of art.

Source: Chris Sorenson
Writer: Lee Chilcote